Born in 1973 in Malawi, Billie Zangewa lives and works in Johannesburg. Using samples of vibrant silk, the artist hand sews sprightly embroideries who take inspiration from contemporary life scenes. Often the heroin of her figurative compositions, she mixes personal experience with the universal: the bustle of urban megalopolises as well as the actions of ordinary life come alive on the fabric. Everyday life thus becomes a pretext for political reflection on identity, and questions gender stereotypes and racial prejudice.
GLOBAL(E) RESISTANCE – group show
The exhibition ‘Global(e) Restitance’ reveals for the first time, more than sixty artists reunited for the last century around the question of “resitance”, including Senegalese Omar Ba and South African artist Billie Zangewa.
The exhibition that collects many work from many different medium and countries, questions the theoretical and esthetical relationship between politics and art. The idea of resisting, studied through the handling of politic as well as art for activism, as always been experienced by artists under oppression and inequalities.
From July 29 to January 4, 2021
Centre Pompidou, Rue Beaubourg, 75003 Paris
Templon launches a new viewing room
We invite you to experience our new online viewing room for an immersive visit of our Paris and Brussels spaces.
Currently on view: Norbert Bisky: Desmadre Berlin, Jim Dine: The Classic Prints, and Billie Zangewa: Soldier of Love.
Click on the link below and on each work to explore!
ALPHA CRUCIS – Group show
Alpha Crucis exhibition at Astrup Fearnley Museet gathers seventeen artists from seven African countries – a constellation of artists from the South, brought into northern sight—among which, Billie Zangewa, from Malawi.
The seventeen artists gathered here originate from numerous countries, belong to different generations and have diverse practices. But what they all have in common is that, living in Africa, they are all able to see Alpha Crucis. Can this be seen as a symbol of hope for a pan-African utopia, in which, despite antagonisms, all African countries look in the same direction towards the same guiding light, and do not need to look north when making their art?
ASTRUP FEARNLEY MUSEET, OSLO, NORWAY
From 31 January to 17 May, 2020