James Casebere

Selected works
Exhibitions
Biography   
Bibliography
Website
Press
Videos



Born in 1953 in Michigan, USA, James Casebere lives and works in New York. The work produced by this pioneer of staged photography is a poetic commentary on our society, never referring to a clearly identifiable reality. The artist works using models, imaginary and standardised reconstructions of familiar buildings that he painstakingly creates in his studio then uses as the basis for his photographs. His images can have a paradoxical effect, their visual beauty often arousing feelings of discomfort and emptiness.






2007        
Baker, R.C., “Best in Show,” Village Voice, May 30 – June 5, 2007, p. 55.
Diehl, Carol. “James Casebere at Sean Kelly,” Art in America, December, 2007, pp. 155-156.
Enwezor, Okwui. “Best of 2007,” Artforum International, December, 2007, pp. 316-317.
“Goings on about town: Art,” The New Yorker, June 4, 2007.
Merrick, Jay. “David Adjaye,” Art + Auction, September, 2007, Pp. 61-68.
Saltz, Jerry, “James Casebere,” NYmag.com, June 2007.
Schwendener, Martha, “James Casebere: The Levant,” The New York Times, June 8,
2007, p. E34.
Underwood, James and Robert Maxwell, “The Originals: James Casebere and Lorna
Simpson,” The New York Times Magazine, 1 April 2007, p. 106.
“Up Next, art…,” Manhattan Users Guide.com, May 3, 2007.
Wei, Lilly, “James Casebere,” ARTnews, September, 2007, p. 152.

2006        
“Before the Camera: Remaking Reality and the Make-believe,” Palm Beach Society,
February 15 – October 12, 2006.
Blind Spot - A Tribute, Issue 32, Spring 2006.
Browne, Alix. “Double Vision,” The New York Times Magazine, 3 September, 2006, pp. 44-47.
Casebere, James, “Artists on Artists: James Casebere on Brian Wood,” Bomb, No. 95,
Spring 2006, p. 8.
Diez, Renato. "La fotografia ad Art Basel," Arte, June 2006, pp. 77-82 (and cover).
“El Rey inauguro la Biacs2, que refleja los conflictos de un mundo globalizado,” ABC de Sevilla,
October 27, 2006, p. 70.
Enwezor, Okwui. “Lo Desacogedor: Escenas Fantasmas en la Sociedad Global,” ABC Special
Supplement, October 26, 2006, p. 7.
Grundberg, Andy, Modern Photographs: The Machine, The Body and The City, Miami, FL:
Miami Art Museum, 2006 (exhibition catalogue).
“Harlem Postcards,” Studio: The Studio Museum in Harlem Magazine, Fall/Winter 2006-2007.
“James Casebere,” Suplemento Especial: Bienal Internacional de Arte Contemporaneo de Sevilla,
October 26, 2006.
Mills, Michael, “Seeing Ain’t Believing Anymore,” New Times Broward, Palm Beach,
November 16 – 22, 2006, p. 35.
Schwan, Gary, “Art these photographs real? Or faked? Or both?,” The Palm Beach Post, Sunday,
October 22, 2006.
“Sublime Embrace: Experiencing Consciousness in Contemporary Art,” Hamilton, Ontario: Art
Gallery of Hamilton, 2006.
Thomason, John, “Norton showcases the art of deception,” Delray Beach Times,
October 25 2006, p. 25, 28.
“The Unhomely: Phantom Scenes in Global Society,” Seville, Spain: BIACSInternational
Biennial of Contemporary Art of Seville, 2006 (catalogue).

2005        
Alfonso, Carlota de, “James Casebere: La fuerza visual de la irrealidad,” El Punto de las Artes,
No. 785, May 20-26, 2005, p. 9.
Bravo, Aquiles Ortiz, “James Casebere,” El Aragüeño, June 6th 2005, p. 24.
Bravo, Laura, “Sumergidas e Inundados: Unas Gotas Sobre el Agua en el Arte Actual,” Arte y
Naturaleza, No. 35, January-February 2005, pp. 6-9.
Christofori, Ralf. Bild-Modell-Wirklichkeit. Germany: Wunderhorn, 2005, pp. 177-194
Debailleux, Henri-François, “Casebere, jeu d’échelle,” Libération, June 21, 2005.
Douglas, Sarah, “Live, In Miami,” Art + Auction, Vol. XXIX, No. 3, November
2005, pp. 102-104.
“La estética del espacio irreal: Las arquitecturas ficticias de James Casebere,” Masdearte.com,
May 25th, 2005; available at http://www.masdearte.com/item_exposiciones.cfm?noticiaid=9313
“Fotografías con historia,” Guía del Ocio, No. 1.537, May 27th – June 2nd 2005, p. 84.
“James Casebere,” Artnotes, No. 3, May-June 2005, p. 22.
“James Casebere,” The Broadsheet, No. 147, June 2005, p. 64.
“James Casebere: Galeria Helga de Alvear,” Modern Painters, June 2005, p. 133.
“James Casebere,” PhotoEspaña, VIII Festival Internacioanl de Fotografia y Arte Visuales, June
1st – July 17th, 2005, p. 165.
“James Casebere: <>,” D’A.D’Architectures, No. 148,
August/September 2005, p. 6.
Karmel, Pepe, “The Real Simulations of Thomas Demand,” Art in America, No. 6,
June/July 2005, pp. 146-149.
“Les Maures ressuscités: James Casebere,” Zurban, July 13-19, 2005.
Martín, Alberto, “Artificios,” El País, No. 707, June 11th 2005, p. 17.
Molina, Oscar Alonso, “James Casebere,” Arte y Parte, No. 57, June-July 2005, p. 104.
Pantoja, Javier, “Arquitecturas Fingidas,” Diario de Cádiz, June 6th 2005, p. 12.
Piranio, Michelle, ed. Sight Lines, Postwar to Contemporary: The Kohlberg, Kravis &
Roberts Collection. New York: Kohlberg Kravis Roberts & Co., 2005, pp. 160-161.
Reveulta, Laura, “El Perfecto Falsificador,” ABCD las Artes, No. 694, May 21st 2005, p. 44.
Spiegler, Marc, “Why experience pays off,” The Art Newspaper: Art
Basel/Miami Beach Edition, Saturday, December 3, 2005, pp. 1, 8.
“The Ritz-Carlton: New York Battery Park,” in The Millenium Partners Collection of
Contemporary Art. New York: Millenium Partners, 2005, p. 2.
Tuchman, Phyllis, “Reality Shows,” artnet, March 2005.
Ucha, Paloma, “El Al-Andalus como modelo vigente,” Ahora, May 20th 2005, p. 8.
Vozmediano, Elena, “Casebere, el espacio sagrado,” El Cultural, El Mundo,
May 26th 2005, pp. 56-57.

2004        
Dawson, Jessica. “Design and Structure, in 3-D,” The Washington Post. Thursday,
October 21, 2004.
Diaz, Renato. “Una Festa per L’Arte: La Photographia,” Arte, Sept. 2004, p. 73.
Lawrence, Sidney. “Capital Roundup,” Artnet. Online at: http://www.artnet.com,
November 11, 2004.
MoMA Members Guide, March/ April, 2004, p 16.
Tebbs, Paul. “James Casebere,” Reviews ArtReview, International Edition V2N2, p. 103.
Vincent, Steven. “Desktop Darkroom,” Art + Auction, February 2004, pp. 86-89.

2003        
Affentranger-Kirchrath, Angelika. “Die unheimliche Macht des Raumes.” Neue Zurcher Zeitung
March 29–30, 2003. p. 46.
Coomer, Martin. “Art:Preview,” Time Out London, December 3-10, 2003, p. 54.
Douglas, Sarah. “James Casebere: mutable.” The Art Newspaper No. 141 November 2003. p. 5.
Glueck, Grace. “Art in Review: James Casebere,” The New York Times, November
28, 2003, p. E44.
Lunn, Felicity. “Bewitched, Bothered, and Bewildered.” Artforum September 2003. p. 234.
Pinsett, Richard. “James Casebere.” The Art Newspaper No. 141 November 2003. p. 15.
Schwendener, Martha. “James Casebere: mutable,” Time Out New York, November
20-27, 2003, p. 86.
Sparks, Amy Bracken. “Picture Shows.” Northern Ohio Live January 2003. p. 14-15.
Vincent, Steven. “In the Studio.” Art + Auction November 2003. pp. 38-42.
“A Willing Suspension of Disbelief.” Art on Paper, January/February 2003. p.102.
“Bewitched, Bothered, and Bewildered.” Tema Celest April 2003. p. 121.
“James Casebere.” The New Yorker November 17, 2003. p. 40.
“MARCO.” Flash Art January/February 2003 (Vol. XXXVI No. 228). p. 49.
“New York,” Carnet Arte, September/October 2003, p. 31.

2002        
Bailey, Matthew. “Review: Constructed Realities.” Review July/August 2002.
Bischoff, Dan. “Exhibit Opens Door to World of Symbol." Sunday Star-Ledger
April 21, 2002. p. 1.
Frankel, David. “James Casebere.” ArtForum March 2002 (Vol. 40 No. 7).  p. 109-113.
Iovine, Julie I. “A Beacon on a Path to Fame.” The New York Times December 26,
2002. p. F1, F7.
Kurjakovic, Daniel. “Imaging Architecture: James Casebere.” Werk March 2002. p. 30-33, 68–69.
McGraw, Hesse. “Fiction and History: A Science of Disputed Signs.” The Kansas City Star
May 3, 2002. p. 38–39.
Ollman, Leah. “Illusions of Water and Power.” The Los Angeles Times July 31, 2002. p. F3.
Spiegler, Marc. “Great Expectations.” Art & Auction July 2002. p. 62–64.
Tranberg, Dan. “Picture Paradox.” Fine Art December 13, 2002.
Vollman, William T. “War Movies.” Film Comment March/April 2002. p. 20–21.
Zimmer, William. “Seeing Messages, Some Subtle, in a Door.” The New York Times
May 5, 2002. p. 16.
“Moving Pictures,” @ Guggenheim, The Guide to the Guggenheim Museum
November 2002–January 2003.
“Retrospectacle: 25 Tears of Collecting Modern and Contemporary Art.” Denver
Art Museum, exhibition brochure, November 13, 2002.
“What, Where, When.” The Art Newspaper July/August 2002. p.12. Art News June 2002
(Vol. 101, No. 6). p. 40.
“Art Downtown.” Wall St Rising June 14–September 15, 2002.

2001        
Aletti, Vince. “Spring Arts Preview: Perpetual Motion.” The Village Voice March 6, 2001
(LVI, No. 9). p. 88–89.
Aletti, Vince. “Voice Choices, Art: Photo, James Casebere.” The Village Voice May 15, 2001
(Vol. XLVI, No. 19). p. 83.
Alfonso, Carlota de. “Realidad Constrida, Diálogo Entre la Producción y la Reproducción.” El
Punto de las Arte, December 2001. p. 5.
Barragán, Paco. “Realismo Sintético.” ABC Cultural December 22, 2001. p. 36.
Bayliss, Sarah. “Best Bets.” Art News Summer (Vol. 100 No. 7), 2001. p. 153.
Bernstein, Fred A. “Quick Learner.” Elle Décor February–March 2001 (Vol. 12, No. 1).
p. 14, 121-129.
Casebere, James. “Model Agent: Artist James Casebere Tips the Scale. " V Magazine, Spring
Preview 2001 (Vol. 9). p. 17-18.
Everett, Deborah. “James Casebere.” NYArts June 2001 (Vol. 6, No. 6). p. 72.
Ferrone, Julie. “James Casebere: Spazi Architettonici Dell’Immaginario.” Art and Job Magazine
May 13, 2001.
Gilmore, Jonathan. “Review of James Casebere at Sean Kelly Gallery, New York.” Tema Celeste
Summer 2001 (No. 86). p. 87.
Goodman, Jonathan. “James Casebere. Sean Kelly Gallery, New York.” Art on Paper
September–October 2001. p. 89.
Hamilton, William L. “An Artist’s Novel Take on History: He Lets the Walls Talk.” The New
York Times The Arts, May 28, 2001. p. E1, E3.
Hamilton, William L. “Paris as Tomorrowland.” The New York Times, House & Home February
14, 2001. p. F1, F12.
Heartney, Eleanor. “James Casebere at Sean Kelly.” Art in America November 2001
(No. 11). p. 148.
Hookway, Branden. “Out of Context.” Architecture July 2001 (Vol. 90, No. 7). p. 54–55.
Juarez, Roberto. “James Casebere.” Bomb Fall 2001 (No. 177). p. 28–35.
Liorca, Pablo. “Imagen Veraz de un Decorado.” El Periódico del Arte December 2001. p. 21.
McQuaid, Cate. “In Exhibit, Photographers Build a Vision.” The Boston Globe June 14, 2001.
Newhall, Edith. “Art: Opening, Construction Team.” New York Magazine May 7, 2001.
p. 92–93.
Princenthal, Nancy. “Artist's Book Beat.” Art on Paper 5 January/February 2001 (No. 3).
p. 94–95.
Sheets, Hilarie M. “James Casebere.” Art News, Summer 2001 (Vol. 100 No. 7). p. 174.
Smith, Roberta. “As Chelsea Expands, a Host of Visions Rush In.” The New York Times June 1,
2001. p. E29, 33.
Sozanski, Edward J. “Avant-Garde Trends in Photography.” The Philadelphia Inquirer
May 4, 2001.
Wallis, Steven. “Casebere Draws a Torrent of Buyers.” Art and Auction September–October
2001. p. 8.
Weiss, Susan. “The Architectural Unconscious: James Casebere and Glenn Seator.” Institute
of Contemporary Art Newsletter Spring 2001 (No. 2). p. 5.
“Artist News: Preise und Stipendien.” Artist Kunstmagazin March 2001 (Vol. 48). p. 13.
“Sean Kelly Gallery Celebrates its New Location in Chelsea.” Artivents.com May 29, 2001.
“Photography, James Casebere.” The New Yorker May 21, 2001. p. 21.
“Art: James Casebere.” W May 2001. p. 128.
“Art: James Casebere.” Time Out New York May 24–31 (No. 296), 2001. p. 59.
Post editors, “Media City: On the Newsstand.” New York Post January 22, 2001. p. 41.

2000        
“2000/2001 Museum Preview.” Art in America August 2000 (No. 8). p. 39.
Albert, Xiaoming. “Collapsed Interiors.” In Insites: Interior Spaces in Contemporary Art, New
York: Whitney Museum of American Art 2000. p. 19–20.
Aletti, Vince. “Inside Out: Reality or Fiction?” The Village Voice July 25, 2000 (No. 29). p. 81.
Art on Paper 5, September–October 2000 (No. 1). p. 72.
Casebere, James. “Maximum-Security Building Allied Unit Prison: Wichita Falls, TX.”
Metropolis April 2000. p. 92-99.
“Citibank Photography Prize 2000.” Tema Celeste January–February 2000. p.107.
“Citibank Prize.” Flash Art January–February 2000 (XXXIII, No. 210). p. 44.
Dormir /Sleep, Paris: Coromandel Express.
Drohojowska-Philip, Hunter. “Art and Architecture. Lessons From One Man’s Model Society.”
Los Angeles Times May 21, 2000. p. 57–58.
Duehr, Gary. “The Architectural Unconscious: James Casebere and Glen Seator.
Addison Gallery, Phillips Academy, Andover, Massachusetts," Art on Paper 5,
September–October 2000 (No. 1). p. 84.
Friers, Elj. “Verzon Bunkers.” Knack Magazine December 2000.
Glover, Izi. “James Casebere: Lisson Gallery, London.” Frieze May 2000 (No. 52). p. 115.
Griffin, Tim. “Architectural Constructs in Contemporary Photography.” Time Out New York,
July 13–20 2000 (No. 251). p. 60.
Johnson, Ken. “Inside Out: Reality or Fiction?” The New York Times, June 30, 2000. p. E37.
Loke, Margaret. “Manipulated Images Toy With Facets of What Is.” The New York Times
July 28, 2000. p. E30.
Oddy, Jason. “A Serious Case of Tunnel Vision.” The Independent January 2000.
Riley, Terence. “Architecture Hot and Cold.” MOMA, The Magazine of the Museum of Modern
Art, 3, October 2000 (No. 7). p. 10–11.
Schwendener, Martha. “Inside Out: Reality or Fiction?” Time Out New York, July 20–27, 2000
(No. 252). p. 73.

1999        
Aletti, Vince. “Photo: James Casebere.” The Village Voice February 16, 1999 (XLIV No. 6). p. 88.
Anderson, Cecilia. “Spatial Experience or Spatial Disorientation?” Katalog: Journal of
Photography and Video Spring 1999. p. 26-33.
Arning, Bill. "The Sisters from Another Planet," Time Out New York April 18–25,1999. p. 61.
B. D. “James Casebere: Centro de Arte Contemporanea.” Arte Y Parte, Nacional Edición
June 1999. p. 143.
Bate, David, “James Casebere; Surveillance and Solitude.” Portfolio, The Catalogue of
Contemporary Photography in Britain June 1999 (No. 29). p. 4–11, 50–52.
“Blade Runner at Caren Golden.” Flash Art January–February 1999 (XXXII). p. 40.
Billingham, John. “Images to Stimulate as Well as to Challenge.” The Oxford Times Weekly
January 29, 1999.
Buxton, Pamela. “James Casebere.” Building Design; London, England. January, 1999.
Cameron, Dan. “Camera Chameleon.” Art News May 1999. p. 149.
Cotter, Holland. “James Casebere.” The New York Times February 12, 1999. p. E37.
Cotter, Holland. “Art Review: James Casebere.” The New York Times February 19, 1999. p. E33.
“Dates: Art.” Blueprint February 1999.
Decker, Andrew. “Art's Next Wave.” Cigar Aficionado March 1999. p. 173–182.
Exley, Roy. “James Casebere.” Artpress April 1999 (No. 245). p. 76-77.
Exley, Roy. “Sites of Absence.” Contemporary Visual Arts 1999 (No. 88). p. 63 - 68.
Frankel, David. "James Casebere: New Photographs.” Artforum January 1999
(Vol. XXXVII, No. 5). p. 52.
“Full Exposure: Contemporary Photography.” Katalogue: Journal of Photography and Video
May 1999.
“James Casebere.” The Architect's Journal February 1999.
“James Casebere.” Professional Photographer January 1999.
Jenkins, Steven. “Una Conversacion con James Casebere.” Arte y Parte, February–March 1999
(No. 19). p. 54–66.
Lasky, Julie. “Grand Illusion.” Interiors July 1999, p. 8.
Leach, Ian. “Exhibition Review: Images in Action.” Daily Information January 26, 1999.
Lynas, Donna, Michael Taranatino, and Miguel Fernandez-Cid. “James Casebere: Asylum.”
Museum of Modern Art, Oxford, England.
McEwen, John. “Unquenchable, Even with a Camera.” Daily Telegraph, London. “See What
Makes James Click.” Oxford Courier January 15, 1999.
Smith, Roberta. “When Context Outshines Content.” The New York Times September 24,
1999. p. E31.
The New York Times February 12, 1999. p. E37.
Saavedra, Segundo. “Invitación a la Austeridad.” El Periodico Del Arte July 1999. p. 17.
Soyinka, Wole. “The Man that Died.” Transition 7 (No. 3 – 4) 1999. p. 389.

1998        
Ackley, Clifford. “Photo Image: Printmaking 60’s to 90’s.” Boston: Museum of Fine Arts.
“Arte Contemporanea.” Tema Celeste July–September 1998 (No. 69–70). p. 68, 110–111.
Arning, Bill. “Thomas Demand.” Time Out; New York, October 8–15, 1998. p. 62.
Baker, Kenneth. ‘Photographers' Illusory Truths.” San Francisco Chronicle p. C18.
Berke, Deborah and Steven Harris, eds. Architecture of the Everyday. Princeton: Princeton
Architectural Press.
Blind Spot 12, 1998.
Fox, Catherine. “Mixing it Up in Style.” The Atlanta Journal–Constitution August 21, 1998.
Friedman, Ann. “Bedtime Stories: Artists Awaken to Possibilities.” The Bellingham Herald
p. C1–2.
Houser, Craig and Ellen K. Levy. “James Casebere.” Contemporary Visual Arts July 1998
(No. 9). p. 70.
Hudgens, Andrew. Babylon in a Jar: New Poems. New York: Houghton Mifflin. Cover Illustration.
Johnson, Ken. “Art in Review: James Casebere.” The New York Times, April 10, 1998. p. 39.
"Lofty Vision." Elle Décor, August– September 1998. p. 174–181.
Rian, Jeff. “The Architecture of Memory.” Flash Art November–December 1998 (Vol. XXXI,
No. 203). p. 82–85.
Marger, Mary Ann. “Not So Sweet Dreams.” The New York Times Weekend Section,
March 1998.
Saint Sauveur, Michele de. “Review: Embedded Metaphor.” New Art Examiner March 1998. p. 43.
Smith, Roberta. “Galleries: Chelsea.” The New York Times September 18, 1998. p. E36.
Smith, Roberta. “Thomas Demand.” The New York Times September 11, 1998. p. E38.
Smith, Roberta. “Art in Review: Edwin Zwakman.” The New York Times May 29, 1998. p. E38.

1997        
Berruti, Antonella. “James Casebere.” Juliet Magazine June 1997. p. 44–45.
Crump, James. “Solitary Spaces.” Art in America October 1997. p. 56–59.
Dostoevsky, Foyodor. “The Big House.” Aperture Fall 1997. p. 49, 55.
Exley, Roy. “Constructed Sights; The Domain of Constructed Photography.” Contemporary
Visual Arts October 1997. p. 18-25.
Grigg, Jennifer. “Report from London.” Afterimage January–February 1997 (No. 4). p. 4.
“Making it Real.” Review February 1997. p. 20.
Marcelis, Bernard. “Galerie Windows.” Artpress May 1997.
“Tunnels and Arcade.” Bomb Winter 1997. p. 71, 80-81.
Zimmer, William. “Life with a Twist: Fiction-Based Photography, Realism in Paint.” The New
York Times March 30, 1997. p. 12.

1996        
Baker, Kenneth. “Large Photographic Vision of Small Worlds.” San Francisco Chronicle
September 3, 1996.
Batchen, Geoffrey. “James Casebere's Prison Series.” Creative Camera June–July, 1996. p. 14–21.
Berger, Maurice, with Andy Grundberg, intro. James Casebere: Model Culture, Photographs,
1975-1996. San Francisco: Friends of Photography.
Berger, Maurice. “James Casebere: Solitary Confinement.” See Fall, 1996. p. 12–16 & Cover.
Bonetti, David. “Bay City Best.” San Francisco Examiner Magazine August 18, 1996.
Felshin, Nina. Embedded Metaphor. New York: Independent Curators, Inc.
Porges, Maria. "San Francisco Fax." Art Issues October 1996.

1995        
Aletti, Vince. “Voice Choices.” The Village Voice March 28, 1995. p. 9.
Casebere, James, and Stan Douglas. “Mobius Strip." Blind Spot (No. 6), 1995.
Hagen, Charles. “James Casebere.” The New York Times April 14, 1995. p. C14.
Johnson, Ken. “James Casebere.” The New York Times April 14, 1995. p. C 4.
“Prison Sentences: The Prison as Site/The Prison as Subject.” Philadelphia: Eastern
State Penitentiary.
Ziolkowski, Thad. “James Casebere, Michael Klein Gallery.” Artforum September, 1995.

1994        
Conti, Viana. “James Casebere.” Flash Art March, 1994. p. 45.
Davis, Keith. An American Century of Photography, From Dry-Plate to Digital, The Hallmark
Photography Collection. New York: Harry N. Abrams Publishers.
Hall, Jacqueline. “New Angles on 'Home: '90’s Domestic Spaces Analyzed, Challenged by Varied
Ideologies.” Columbus Dispatch September 18, 1994.
Hot Off The Press. Santa Fe: University of New Mexico Press, Tamarind Institute.
“House Rules.” Assemblage: MIT Press Journal 1994.
“James Casebere: Cafeteria and Cell with Toilet.” Print Collector's Newsletter 1994. p. 66.
“James Casebere: Silverprints.” Paris Review Spring (No. 130), 1994. p. 229-235.
Luca, Elisabetta. “James Casebere.” Juliet Art Magazine June 1994. p. 45.
Robbins, Mark. “Building like America: Making Other Plans.” Assemblage August (No. 24), 1994.
p. 8–11.
Rubenstein, Raphael. “The Art of Imprisonment.” Metropolis May 1994. p. 48.
Ryan, Jeffrey. “Twenty One Steps: A New Printmaking Aesthetic.”
Seiko, Uyeda. “Quest for Lost Image.” Seven Seas [Japan], October 1994. p. 171– 175.
“Wexner Center Presents Social Constructions and Electronic Games by Artists.” Flash Art
Summer, 1994. p. 35.

1993        
Aletti, Vince. “Voice Choices.” The Village Voice May 25, 1993. p. C26.
Carroll, Patty. American Made: The New Still Life. Tokyo: Japan Art and Culture Association.
Kalina, Richard. “James Casebere at Michael Klein.” Art in America October, 1993. p. 127–129.
Lifson, Ben. “A Model Prisoner: James Casebere.” Artforum May, 1993. p. 87-89.
McQuaid, Kate. “Asking Why: The MFA's 'Building A Collection' is Art That Raises Questions."
Boston Phoenix March 19, 1993. p. 21.
McQuaid, Kate. “Mod Squad.” Boston Phoenix February 5, 1993.
Pinchbeck, Daniel. “Openings.” Art & Antiques April 1993. p. 22.
Saltzstein, Katherine. “Breaking out of the Mold.” Albuquerque Journal July 25, 1993. p. F2.
Shefcik, Jerry. From New York: Recent Thinking In Contemporary Photography.
Las Vegas: Donna Beam Fine Art Gallery University of Nevada, Las Vegas.
Sherman, Mary. “Building A Collection at the Museum of Fine Arts.” Boston Herald 29
January 1993. p. S4.

1992        
Batchen, Geoffrey. “On Post-Photography, Constructing Images: Synapse Between Photography
and Sculpture.” Afterimage October 20 (No. 3), 1992. p. 17.
Bonetti, David. “Art.” San Francisco Examiner August 28, 1992. p. C2.
Casebere, James. Venice Ghetto. Villa Val Lemme, Capriata d'Orba, Italy.
Loke, Margaret. “Reviews: Constructing Images: Synapse Between Photography and Sculpture at
Lieberman & Saul.” Art News 91, February (No. 2), 1992. p. 128.
Mclay, Catherine. “Twice Captured Images: By Lens and Then By Hand.”
Robson, Julien. “Interpreting The American Dream. Graz: Galerie Eugen Lendl.”  San Jose
Mercury News July 10, 1992. p. 45.

1991        
Coleman, A. D. “When Photos and Sculptures Get Married.” New York Observer,
November 11, 1991.
Conklin, Jo-Ann. James Casebere. Iowa City: University of Iowa Museum of Art, Iowa City.
Cross, Andrew, and Stuart Morgan. James Casebere. Surrey, Great Britian: James Hockey
Gallery, West Surrey College of Art and Design.
Friedman, Ann. “Photographs Mix Ordinary, Eerie.” Birmingham News, 27 October, 1991.
p. 1F, 6F.
Garlake, Margaret. “James Casebere.” Art Monthly December, 1991. p. 15-16.
Goldwater, Marge. James Casebere. New York: Michael Klein Gallery.
Higuchi, Shoichiro. “James Casebere's Collection of the Memory.” Idea [Tokyo], (No. 226),
1991. p. 126–129.
“James Casebere: Archivaris van Amerikaans Industrieel Erfgoed.” WB May 16, 1991. p. 14.
“James Casebere.” Juliet Art Magazine December (No. 50), 1991. p. 61.
Lambrecht, Luk. "Kunst," Kaack Weekend section, May 22, 1991. p. 18.
Marger, Mary Ann. “Latest In Smart Art.” St. Petersburg Times December 31, 1991.
Milani, Joanne. “Photographers Shoot for Depth.” Tampa Tribune December 6, 1991.
Nelson, James R. “Casebere Creates Worlds of Emptiness and Artifice.” Birmingham News
November 19, 1991. p. 4F.
"Photography." The New Yorker June 10, 1991. p. 18.
Rian, Jeffrey. “James Casebere.” Arts Magazine October 1991. p. 79.
Romano, Gianni. “James Casebere.” Flash Art February–March (No. 160), 1991. p. 86–87.
Schaffner, Ingrid. Constructing Images. New York: Lieberman Gallery.
Silver, Joanne. “Architectural Photos Build on Viewer's Experience.” Boston Herald March 29,
1991.
Troncy, Eric. “James Casebere.” Metropolis (No. 2), 1991. p. 36-37.
Wilner-Stack, Trudy. Model Fictions. The Photographs of James Casebere. Birmingham, AL:
Birmingham Museum of Art.
Wise, Kelly. “The Juncture of the Real and the Imagined.” Boston Globe April 16, 1991.

1990        
Casebere, James. “Calendar by James Casebere.” Interview July 1990.
Christensen, Judith. “Waiting for Life to Happen.” Artweek November, 29, 1990. p. 13.
Daxland, John. “Sculptures That Force You To Look.” Daily News February 17, 1990.
Freudenheim, Susan. “Casebere: Black-and-White and Heartless.” Los Angeles Times
October 27, 1990.
“Goings On About Town.” The New Yorker March 5, 1990.
Jarmusch, Ann. “Casebere Show Lights Up Recesses of Mind.” San Diego Tribune, October 26,
1990. p. C1, C6.
Levin, Kim. “Bad Timing.” The Village Voice March 6, 1990.
Lewis, James. “James Casebere.” Artforum May, 1990.
Muschamp, Herbert. Nightlights. Nevers, France: APAC Centre d'Art Contemporain.
Princenthal, Nancy. “James Casebere at Vrej Baghoomian.” Art in America June 1990. p. 170.
“Voice Choices.” The Village Voice March 6, 1990.

1989        
Encore-Celebrating Fifty Years. Cincinnati: Contemporary Arts Center.
Bayliss, Sarah, Christopher Hoover, and Wimon Kwon. Suburban Home Life: Tracking the
American Dream. New York: Whitney Museum of American Art.
Grundberg, Andy. “Abstraction in Contemporary Photography.” Emerson Gallery.
Hackett, Regina. “Poker-faced NY Pop Artists Exhibit Some Staying Power.” Seattle
Post–Intelligencer February 21, 1989.
Hammond, Pamela. “Sculpture.” Art News 1989. p. 178.
Kohler, Michael, ed. Das Konstruierte Bild, Kunstverein Munchen, Munich, Germany.
Marger, Mary Ann. “University Opens its Doors to the World of Art.” St. Petersburg Times
January 21, 1989.
Milanti, Joanne. “Avant-Garde Art Finds a Home.” Tampa Tribune January 20, 1989. p. F1–2.
Playing Havoc: Notes on James Casebere's 'Tree Trunk with Broken Bungalow and Shotgun
Houses. Tampa: University of the State of Florida Art Museum, Tampa, FL and
Neuberger Museum of Art, State University of New York at Purchase, NY.
Roskam, Mathilde. “Parallel Views.” Amsterdam: Arti et Amicitiae.
Sculpture, March–April 1989. p. 31.
Smith, Roberta. “Charting Traditions of Nontraditional Photography.” The New York Times.
Steenhuis, Paul. “Droom Spoor.” Brij Nederland May, 1989.
Steinberg, Janet. “Just Say Faux.” Seattle Weekly February 8, 1989.
Welles, Elenore. “Beyond Photography.” Artscene April 1989, p. 26.
Westerbeck, Colin. “Decisive Monuments.” Chicago: Ehlers Caudill Gallery Ltd.
Zimmer, William. “Five Photographic Portfolios.” The New York Times July 16, 1989.

1988        
Block, Valerie. “From One Surreal Landscape to Another.” New York Observer July 4–11, 1988.
Cross, Andrew and Helen McNeil. Playing for Real: Toys and Talismans. Southhampton,
England: Southampton City Art Gallery.
Donahue, Marlena. “Reviews: James Casebere.” Los Angeles Times March 11, 1988.
Gardner, Colin. “CalArts: Skeptical Belief(s).” Artforum April 1988. p. 154.
Gerster, Amy. “Reviews; James Casebere, Kulenschmidt/Simon.” Artforum September,
1988. p. 151.
Jones, Amelia. “Connections to the Real.” Artweek March 20, 1988.
Keonig, Peter. “Exhibition Explores Art of Directorial Photography.” The Enterprise April 1,
1988. p. 5a.
Leigh, Christian. Complexity and Contradiction. Scott Hanson Gallery, New York, NY.
Rubin, Birgitta. “Med Kameran i Fokus.” DN Pa Stan October–November 1988.
Wise, Kelly. “Fabrications: A Probing, Instructive Exhibit.” Boston Globe April 5, 1988. p. 66.

1987        
Aletti, Vince. “Photo.” The Village Voice June 3, 1987.
Bromberg, Craig. “Teaching Tomorrow's Avant Garde.” Artnews September 1987. p. 100–103.
Wallis, Brian. Casebere, James; Three Stories, in Blasted Allegories. The New Museum Press.
New York, NY.
Currah, Mark. “Reviews-Interim Art; Barbara Ess, James Casebere.” City Limits August 1987.
Goldwater, Marge. Cross References: Sculpture into Photography.
Walker Art Center, Minneapolis, and The Museum of Contemporary Art, Chicago, IL.
Grundberg, Andy. “Critics Choices: Photography.” New York Times June 14, 1987.
Hart, Claudia. “James Casebere: 303 Gallery, Michael Klein Gallery.” Artscribe International
September–October 1987. p. 80–81.
Jurgenssen, Birgit. 3 Americans, 3 Austrians. Fotogalerie Wien, Vienna, Italy.
Kent, Sarah. “New Reviews; Barbara Ess and James Caseber.” Time Out New York, July
1987. p. 29.
Kunst Mit Photographie. Stuttgart: Galerie Ralph Werniacke. Nightfire. De Appel Amsterdam.
Rubey, Dan. “James Casebere.” Art News November 1987.
Smith, Roberta. “James Casebere.” The New York Times June 5, 1987. p. C32.

1986        
Bos, Saskia. Sonsbeek 86: International Sculpture Exhibition. Arnham, Holland: Sonsbeek.
Hoy, Ann. Fabricated Photographs. Abbeville Press, New York, NY.
Indiana, Gary. “The Death of Photography,” The Village Voice September 30, 1986.
Javault, Pavtrik. “Sonsbeek 86: International Sculpture Exhibition.” Art Press September 1986.
Langsfield, Wolfgang. Moderne Kunst im Park. Siddeutsche 1986.
Photographic Fictions. The Whitney at Champion. Stamford, CT.
Saltz, Jerry. “Beyond Boundaries: New York's New Art.” AlfredVan
Der Marck Press, New York, NY.
Verzotti, Giorgio. “Arte Santa.” Domus September 1986.
Wallis, Brian, ed. “Rethinking Representation: Art After Modernism.” The New Museum Press,
New York, NY.

1985        
Brooks, Rosetta. “From the Night of Consumerism to the Dawn of Simulation." Artforum
February 1985.
Foster, Hal. Recodings, Art, Spectacle, Cultural Politics.
Bay Press, Port Townsend, Washington.
Gardner, Colin. “Art: Western Abstract Scenes.” Los Angeles Times.
Raynor, Vivien. “Fiction: Diane Brown Gallery.” The New York Times April 23, 1985.
Russell, John. “Art: Whitney Presents Its Biennal Exhibition.” The New York Times March 22,
1985. p. C23.

1984        
Hagen, Charles. “Reviews.” Artforum Summer, 1984.
Levin, Kim. “Immaculate Conceptualist.” The Village Voice July 3, 1984. p. 91.
Naef, Weston. New Trends. Nippon Press.
Sayag, Alan. Images Fabriquées. Centre Georges Pompidou, Paris, France.
Zelevansky, Lynn. James Casebere. Art News Summer 1984.

1983        
Armstrong, Tom. Independent Study Program, Fifteenth Anniversary. Whitney Museum of
American Art, New York, NY.
Foster, Hal. "Uncanny Images.” Art In America November 1983. p. 202–204.
Grundberg, Andy. “Post-Modernists in the Mainstream.” The New York Times November 20,
1983. p. H27, 43.
Olander, William. “Missing Persons.” Art News February 1983. p. 112-115.
Solomon-Godeau, “Abigail In Plato's Cave.” Marlborough Gallery, New York, NY.

1982        
Foster, Hal. “Mel Bochner and James Casebere at Sonnabend.” Art in America October 1982.
Kamholtz, Johathan Z. “Assembling Tableaux.” Dialogue Quarterly Fall 1982.
Klein, Michael. Tableaux: Nine Contemporary Sculptures. The Contemporary Arts
Center, Cincinnati.
Miller, John. Cave Canem: Stories and Pictures by Artists. Cave Canem Books, New York.
Owens, Craig. “Back to the Studio.” Art in America January 1982. p. 99–107.
Raynor, Vivien. “Mel Bochner and James Casebere at Sonnabend.” The New York Times
April 16, 1982. p. C22.
Smith, Roberta. “Some Things Old, Some Things New.” The Village Voice April 27, 1982. p. 98.

1981        
Glueck, Grace. “The Scene from Soho to Tribeca.” The New York Times January 30,
1981. p. C19.

1980        
Armstrong, Richard. “Review: Fabricated to be Photographed.” Artforum February 1980.
p. 106-107.
Fischer, Hal. “Curatorial Constructions.” Afterimage March 1980. p. 7–9.

1979        
Coke, Van Deren. Fabricated to be Photographed. San Francisco: San Francisco Museum of
Modern Art, CA.
Muchnic, Suzanne. “Photography as Art and History.” Los Angeles Times March 11, 1979.
Murray, Joan. “Fabricated for the Camera.” Artweek December 8, 1979. p. 1, 11– 12.
Porter, Diana. "Photography: The Primacy of Idea." Artweek, March 10, 1979. p. 11.




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