The exhibition 7000 Museums is a continuation of the Museum’s curatorial series ‘Engaging Tradition’ which encourages contemporary artists to engage with the Museum’s history and collection.

Through his watercolours and oil painting, exhibited in a dialogue with varied conceptual frameworks from the Museum’s collection, Atul Dodiya humorously adresses ideas of local cultural representation as well as the semantics of museums and museum displays. His works also reference historical events from the freedom struggle interrupted by moments of art history.

DR. BHAU DAJI LAD MUSEE DE LA VILLE DE MUMBAI

Bringing together 350 ancient and contemporary works, the Palais Lumière offers an initiatory journey through the extra-ordinary world of fairytales, which keeps on stimulating contemporary creators – writers, artists, film makers.

Far from the enchanting image of the Walt Disney movie, Jim Dine returns to the original tale by Carlo Collodi and its psychological dimension. The artist questions the relationship between childhood and the work of involuntary artistic creation.

Jim Dine, Two Thieves, One Liar, 2006 Bois calciné et bois peint, 190 x 231 x 122 cm Courtesy Galerie Daniel Templon, Paris & Brussels © Jim Dine ©ADAGP, Paris 2014

PALAIS LUMIERE EVIAN

2014

Kochi – November – 2013: The Hon. Mayor of Cochin, Mr. Tony Chammany, today officially declared the internationally acclaimed Indian artist, Jitish Kallat as the curator of Kochi-Muziris Biennale 2014.

Mr. Bose Krishnamachari, President of the Kochi Biennale Foundation, opened up the proceedings and thanked the State Government, the local bodies and the local and international art communities for their support. He gave a brief overview of what India’s first Biennale meant to the state and to the nation. He said, “ Kochi-Muziris Biennale is one of the largest contemporary art events of its kind in India and it’s the second largest running Biennale in the world after the Venice Biennale.” (…)

KOCHI-MUZIRIS BIENNALE, INDIA

Jean-Michel Alberola and Tunga are part of the Inside group exhibition at Palais de Tokyo (Oct 20 – January 11). Inside offers visitors a passage to the interior of the self, for which the exhibition space serves as a metaphor. This immense odyssey, both physical and psychological, invites us to walk through two floors of the Palais de Tokyo that have been transformed by artists in such a way that, from one installation to the next, we remain constantly immersed in the works, which lead us within ourselves – from our skin to our most intimate thoughts.

With : Jean-Michel ALBEROLA, Dove ALLOUCHE, Yuri ANCARANI, Sookoon ANG, Christophe BERDAGUER & Marie PEJUS, Christian BOLTANSKI, Peter BUGGENHOUT, Marc COUTURIER, Nathalie DJURBERG & Hans BERG, dran, Marcius GALAN, Ryan GANDER, Ion GRIGORESCU, HU Xiaoyuan, Eva JOSPIN, Jesper JUST, Mikhail KARIKIS & Uriel ORLOW, Mark MANDERS, Bruce NAUMAN, Mike NELSON, NUMEN/FOR USE, Abraham POINCHEVAL Araya RASDJARMREARNSOOK, Reynold REYNOLDS & Patrick JOLLEY, Ataru SATO, Stéphane THIDET, TUNGA, Andra URSUTA, Valia FETISOV, Andro WEKUA, Artur ZMIJEWSKI.
Curators: Jean de Loisy, Daria de Beauvais, Katell Jaffrès

PALAIS DE TOKYO, PARIS

Saturday September 27th, 05:00 pm

A l’occasion de la parution du catalogue de l’exposition du Musée Fabre de Montpellier “Viallat une rétrospective” Somogy éditions d’Art et la Librairie Flammarion Centre ont le plaisir de vous convier à une séance de dédicaces avec Claude Viallat le samedi 27 septembre à 17h00.

LIBRAIRIE FLAMMARION, CENTRE POMPIDOU, PARIS 

Chilean artist Ivan Navarro is taking part in the ‘Music Palace’ exhibition held at Fondation Boghossian, from Sept 25 to February 8, 2015.

In this exhibition, a selection of contemporary work examines the relationship between music and cultures through artistic creation. With boldness, humor and enthusiasm, these works will rock the Villa Empain becoming a Music Palace for the occasion.

FONDATION BOGHOSSIAN - VILLA EMPAIN, BRUSSELS

From September 20th 2014 to November 22th 2014

Galerie Templon is proud to announce artists Philippe Cognée, Gérard Garouste, Jitish Kallat and Chiharu Shiota’s participation to the 2014 Busan Biennale (September 20 – November 22) in Korea.

Entitled Inhabiting the world,this edition gathers around 160 artists from 30 countries, with a main exhibition, two special exhibitions, diverse academic programs international exchange events and participatory events.

Under the direction of Olivier Kaeppelin, the main exhibition focuses on the roles of art and artists in aworld of permanent state of economic, ecological and geo-political uncertainty. Inhabiting the world intends to explore the extraordinary constellation of artistic responses to the contemporary situations. 

BUSAN BIENNALE, KOREA

Indian artist Jitish Kallat is participating in the group exhibition An Appetite for painting  until January 4, 2015. For the first time in fifteen years, the Museum of Contemporary Art in Oslo devotes an exhibition to new contemporary painting, with an exhibition that explores a range of expressive styles that is broader now than ever before

NASJONAL MUSET - MUSEUM OF CONTEMPORARY ART, OSLO, NORWAY

From August 30th 2014 to June 7th 2015

Japanese performance and installation artist Chiharu Shiota installs a monumental yet intimate work in the Sackler pavilion this summer. Haunted by the traces that the human body leaves behind, the work amasses personal memories of lost individuals and past moments through an accumulation of discarded shoes and notes collected by the artist. Visit the Sackler pavilion during museum hours between Monday, August 18, and Thursday, August 21, to see Shiota’s progress on the installation. (…)

FREER GALLERY OF ART / ARTHUR M. SACKLER GALLERY, SMITHSONIAN INSTITUTION, WASHINGTON, USA  

From August 24th to September 20th 2014

Scales and Dimensions presents a broad interdisciplinary practice joining art and architecture. Rarely does artist James Casebere reveal the scale models that contribute to the “work,” defined as the photograph. This exhibit is uniquely organized to engage students and faculty in the creative process behind the work. The show reveals the artistry of how modeling is handled in the creation of an image conceptualized from specific vantage points.John Hartell Gallery will feature Casebere’s recent work, mostly from the Landscape with Houses (Dutchess County) series featuring several very large framed photographs and, unusually, a display of the corresponding scale models that were used to create the photographs. Olive Tjaden Gallery will exhibit highlights of other projects, including pieces from his Vaulted Corridor, Tunnel, Hallway, and Spanish Bath series. (…)

CORNELL UNIVERSITY, ITHAKA, USA

JULY 18 – OCTOBER 19, 2014

In the same vein as Marina Abramovic, Chiharu Shiota places the body at the heart of her sculptural work, weaving huge environments out of black threads that imprison objects. Thus liberated from any useful purpose, they generate new poetic and moving visions.

After selecting 10 costumes from Le Guépard designed by Luisa Spinatelli, Chiharu Shiota has devised an unusual installation for the Ballet National de Marseille and the Vieille Charité that is both monumental and delicate.

co-organised by the Ballet National de Marseille & Museums of Marseille

An exceptional setting for contemporary installations, since its renovation the chapel of the Vieille Charité has welcomed works by renowned international artists the likes of Christian Boltanski (Les anges, Les ombres, 1986), Gabriel Orozco (Oval Billiard Table, 1996) and Javier Perez (La Torre de Sonido, 2001).

VIEILLE CHARITE, MARSEILLES, FRANCE

From Sunday 13 July to Sunday 09 November 2014

Ever since the late 1990s, the Berlin-based artist René Wirths (b. 1967) has recurrently made one carefully chosen object the absolute center of his attention for the period of time it takes him to create its picture.

His choice of motifs ranges from organic—a butterfly—to inorganic—a simple crumpled paper boat, an old sneaker—and to the metallic and shiny object of desire, a motorbike. But however strong the presence of each of these objects may seem, shown frontally or in strict profile mounted on a stretcher, larger-than-life and standing out against a white background, they still are but a means to an end, or the vehicle of a consistent analysis which, by balancing painterly potentials, generates iconic paintings. (…)

KUNSTHALLE KREMS FACTORY, KREMS, AUSTRIA 

Du 28 juin au 30 novembre 2014

Au plus près de la création, le MAMAC met en dialogue la scène artistique locale, nationale et internationale en portant un regard tout particulier sur les relations France-États-Unis et Nice-Italie du Nord.

Plus largement, le musée est attentif à l’actualité artistique européenne : Barry Flanagan en 2002, Jan Fabre en 2003, Jean-Pierre Raynaud en 2006, Michelangelo Pistoletto en 2007, Jaume Plensa et Richard Long en 2008, Wim Delvoye en 2010 sont quelques-uns des artistes qui ont réalisé une exposition personnelle au musée. La monographie de Julião Sarmento s’inscrit dans cette démarche.

Né en 1948 à Lisbonne, où il vit et travaille, Julião Sarmento est l’un des principaux représentants du renouveau artistique portugais ayant suivi la chute de l’Estado Novo. (…)

MAMAC (MUSEE D'ART MODERNE ET D'ART CONTEMPORAIN), NICE, FRANCE

From June 28th to November 2nd 2014

Étudiant à l’École des Beaux-Arts de Montpellier en 1955-1959, puis à celle de Paris en 1962-63, Claude Viallat invente en 1966 une forme neutre, proche d’une palette ou d’un osselet.

Il sera un des fondateurs, en 1969, du mouvement Supports/Surfaces, remettant en question les supports traditionnels de la peinture et libérera la toile de son châssis pour peindre sur des toiles libres.

Composée d’une centaine d’oeuvres, l’exposition retrace le parcours de l’artiste de ses premières œuvres à aujourd’hui. Elle explore toutes les techniques et matériaux employés par l’artiste, des dessins d’étude aux formats les plus monumentaux. (…)

MUSEE FABRE, MONTPELLIER, FRANCE 

JUNE 21 – SEPTEMBER 21, 2014

Internationally celebrated sculptor Joel Shapiro has created a new installation work for the Museum’s Contemporary Art Series exhibition. Part of a recent body of work investigating the use of painted wood forms to activate space and dynamically alter the experience of it both in visual and physical terms, the Portland installation will be only the fifth suspended installation he has realized.

Engaging the volume of the Schnitzer Sculpture Court, the suspended elements of the work defy gravity and the traditional restrictions ascribed to sculpture that place it of the ground or pedestal. The painted wood elements visually reorganize the architecture, and are continuously redefining the visitor’s optical and physical relationship to the work and architecture as they move through the work. Shapiro notes that this newest body of work is about “the projection of thought into space without the constraint of architecture.” Animated by position and the exuberantly vibrant colors, the work denies the static nature of sculpture and appropriates aspects of painting to suggest being inside an abstract painting or perhaps a stop-action digital game.

PORTLAND ART MUSEUM, OREGON, USA

From June 14th to September 21st 2014

À l’occasion de son 10e anniversaire, la maison rouge présente du 14 juin au 21 septembre 2014,
Le mur – oeuvres de la collection Antoine de Galbert, onzième volet de la série d’expositions consacrées aux collections privées.

Après dix expositions proposant des univers de collectionneurs variés, cette date anniversaire est l’occasion de montrer enfin largement la collection du fondateur et président de la maison rouge, Antoine de Galbert, une part d’intimité qui lui est chère et qu’il n’a jusqu’à présent que peu dévoilée. Mais à l’inverse des précédents projets autour de collections particulières, réalisés avec des commissaires qui ont fait des choix représentatifs dans de larges corpus d’œuvres, l’accrochage imaginé par Antoine de Galbert comporte cette fois-ci une spécificité remarquable :

« L’idée de cette exposition est née de l’observation quotidienne de ma bibliothèque, où le classement alphabétique des monographies crée d’invraisemblables voisinages. Jean Dubuffet cohabite avec Marcel Duchamp sur le même rayonnage. Cette “arche de Noé” me donne la sensation que tous les artistes naviguent sur le même fleuve pour les mêmes raisons, comme le remarque Christian Boltanski : « Que ce soit Aloïse, moi ou un artiste du 16e siècle, ce sont les mêmes questions qui sont posées : la mort, la recherche de la beauté, la nature, le sexe… Les sujets en art sont très limités. Seuls les mots et les vocabulaires diffèrent (…)». La bibliothèque est tout à la fois archive de la collection, souvenirs visuels d’un long voyage et musée imaginaire du collectionneur. […] Délaissant l’idée déjà explorée par certains commissaires d’expositions, d’un accrochage par ordre alphabétique, j’ai choisi de présenter l’essentiel des œuvres de ma collection, s’accrochant au mur, à l’aide d’un logiciel renseigné seulement par leurs formats (encadrées) et leurs numéros d’inventaires. (…)

image : © Marc Domage

LA MAISON ROUGE, FONDATION ANTOINE DE GALBERT, PARIS, FRANCE 

From June 13th to October 1st, 2014

Under the Same Sun: Art from Latin America Today reconsiders the state of contemporary art in Latin America, investigating the creative responses of artists to complex, shared realities that have been influenced by colonial and modern histories, repressive governments, economic crises, and social inequality, as well as by concurrent periods of regional economic wealth, development, and progress. The exhibition presents contemporary artistic responses to the past and present that are inscribed within this highly nuanced situation, exploring the assertions of alternative futures. (…)

SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK, USA 

From June 13th to July 31st 2014

Turin GAM pays a special tribute to Portuguese artist Julião Sarmento, mounting an exceptional show which opens the third chapter of Dialogues, the exhibition project aimed at creating a dialogue between accomplished artists active in the contemporary international art scene and works chosen from the permanent collections.  

This exhibition, mounted in the spaces of GAM Underground Project on a surface of over 1000 sq m, is an important testimony to the artist’s work, more than 15 years after his first and only exhibition in a museum in Italy, the Galleria d’Arte Moderna in Bologna.  
GAM is showcasing the development of Sarmento’s art research following a rigorous curatorial point of view organised according to thematic criteria, analysing his oeuvre with a critical outlook. Starting from the works revolving around the feminine figure and the object, and finishing with the works devoted to architecture, including the two 2010 Cromlech and 2011 R.O.C. (40 plus one) videos, wherein the woman-architecture union is recomposed. (…)

GAM - GALLERIA CIVICA D'ARTE MODERNA E CONTEMPORANEA, TORINO, ITALY   

From June 7th to September 7th 2014

Au fil des ans, les expositions d’art présentées au Palais des arts et du festival ou à la villa Les Roches Brunes se sont inscrites dans la tradition
culturelle de Dinard. En 2014, la Ville de Dinard a confié le commissariat d’un programme estival à Jean-Jacques Aillagon qui a souhaité concevoir
deux expositions. Toutes deux, chacune à sa manière, parlent de la nourriture, de ses ingrédients, de sa préparation, de sa mise en scène et de
sa consommation. (…)

PALAIS DES ARTS ET DU FESTIVAL, DINARD, FRANCE

From June 5th to August 17th 2014

Currently presented at the Astrup Fearnley Museet in Oslo (Norway), Imagine Brazil is a snapshot of Brazilian contemporary art. The exhibition presents fourteen young and most creative artists of the emerging scene of Brazil and who, for most of them, already have an international career. In their turn, each of them has been invited to select a Brazilian artist, considered to him as a reference in Brazilian contemporary art. (…)

MUSEE D'ART CONTEMPORAIN, LYON, FRANCE