

| Birth | Born in 1972 in Osaka, Japan |
|---|---|
| Residence | Lives and works in Berlin, Germany |
| Education | 2011 - California College of the Arts (Guest Professor) 2010 – 13 Kyoto Seika University (Guest Professor) 1993 – 03 Universität der Künste, Berlin, Germany 1997 – 99 Hochschule für Bildende Künste, Braunschweig, Germany 1993 – 94 exchange semester at The Australian National University School of Art, Canberra, Australia 1992 – 96 Kyoto Seika University, Japan |
| 2026 | The Soul Trembles, Musée des beaux-arts, Montréal, Canada |
|---|---|
| Threads of life, Hayward Gallery, London, United Kingdom | |
| Return to Earth, Gana Art Center, Seoul, South Korea | |
| Silent Emptines, Red Brick Museum, Beijing, China | |
| Home Less Home, ICA Watershed, Boston, USA | |
| In the Light, Museum für Kunst + Geschichte, Fribourg, Switzerland | |
| My House is your House, Azkuna Zentroa, Bilbao, Spain |
| 2026 | Kaihō: Japanese Women Artists after 1945, Musée d’Art Moderne Grand-Duc Jean, Luxembourg Summer Show, TEMPLON, Brussels, Belgium Flesh and Bones: The Art of Anatomy, Art Science Museum, Sigapore |
|---|---|
| 2024 | High Five, Fondation Opale, Lens, Switzerland The Extended Line, Art Basel Unlimited, Basel, Switzerland A Personal View of Japanese Contemporary Art: Takahashi Ryutaro Collection, Museum of Contemporary Art Tokyo, Japan How Did You Come into the World?, Hirosaki Museum Contemporary Art, Aomori, Japan |
| 2023 | KAFKA: 1924, Museum Villa Stuck, Munich, Germany |
| Number, Schloß Tarasp, Switzerland | |
| Kyoto Seika University 55th Anniversary Exhibition : FATHOM, Kyoto Seija University Gallery Terra-S, Kyoto, Japan | |
| Nuqta, interactive Toninstallation, Chiharu Shiota und TRANSIENT Interdisciplinary Research Ensemble, Jeremias Schwarzer, Sammlung Philara, Düsseldorf, Germany |
|
| Raumschiff Hubertusburg. Ein Schloss im Wandel, Schenkung Sammlung Hoffmann, Schloss Hubertusburg, Wermsdorf, Germany |
| 2026 | Mudec Museo delle Culture di Milano, Milano, Italy |
|---|---|
| 2024 | Idomeneo, re di Creta, stage design dramma per musica by Wolfgang Amadeus Mozart; directed and choreographed by Sidi Larbi Cherkaoui in co-production with Dutch National Opera Amsterdam and Théâtres de la ville de Luxembourg dancers from the Ballet du Grand Théâtre and Eastman Grand Théaâtre de Genève, Geneva, Switzerland |
| 2023 | Carmen Rhapsody, scénographie Institut Culturel Japonais, Cologne, Germany |
| 2022 | Nuqta – The beginning, stage design TRANSIENT Interdisciplinary Research Ensemble Konzept and artistic direction by Jermias Schwarzer (Recorder), Sammlung Philara, Düsseldorf, Germany |
| 2018 | Götterdämmerung, stage design with Anna Myga Kasten Opera by Richard Wagner, directed by Daniel Karasek, production by Theater Kiel, Opernhaus Kiel, Germany |
| 2017 | Siegfried, stage design Opera by Richard Wagner, directed by Daniel Karasek, production by Theater Kiel, Opernhaus Kiel, Germany |
| 2016 | Das Wintermärchen, stage design, play by William Shakespeare (The Winter’s Tale), directed by Daniel Karasek, production by Theater Kiel, Schauspielhaus Kiel, Germany alif::split in the wall - a musical exhibition space, installation, artistic direction by Jeremias Schwarzer, production by Zafraan Ensemble, bastille musique, Sebastian Solte Radialsystem V, Berlin, Germany |
| 2019 | The Kyoto Prefecture Akebono Award Academy of Fine Arts Prize of the Simone Foundation and Cino Del Duca 4th BVlGARI Rolla Award (Japan) |
|---|---|
| 2018 | The 11th Bacon Prize 2018, the A.R.T. foundation (Japan) |
| 2012 | The Audience Choice, at the First Kyiv International Biennale of Contemporary Art (Ukraine) |
| 2009 | Distinguished Service Medal, Kyoto Seika University, Kyoto, Japan Docks Art Fair – Prix de la culture Montblanc, Lyon, France |
| 2008 | Encouragement award for the new artists of the Ministry of Culture, Japan Award Sakuya Kono Hana, Osaka, Japan |
| 2005 | Agency for Cultural Affairs (Bunka-cho), Japan |
| 2004 | Arbeitsstipendium Bildende Kunst Senatsverwaltung für Wissenschaft, Forschung und Kultur, Berlin, Germany |
| 2026 | Rückblicke / Flashbacks, published by Hatje Cantz Editions and Museum Haus Konstruktiv, Zürich, Switzerland |
|---|---|
| 2024 | Chiharu Shiota, Collection Milestones : At the Heart of Creation, SKIRA éditions |
| 2024 | Chiharu Shiota, Collection Milestones : At the Heart of Creation, SKIRA edition. |
| 2022 | Chiharu Shiota, The Invisible Line, published by ARoS Aarhus Kunstmuseum, Denmark |
| Carte Blanche à Chiharu Shiota, Musée national des arts asiatiques – Guimet, RMN – Grand Palais editions, Paris | |
| Chiharu Shiota, Multiple Realities, published by Frederiksberg Muserne, Denmark | |
| 2021 | The Soul Trembles, Mori Art Museum Editions, Tokyo, Japan |
| Centre Pompidou, Paris, France | |
| Art Gallery of South Australia, Adelaide, Australia | |
| Centre PasquArt, Bienne, Switzerland | |
| Detached, Hobart, Tasmania, Australia | |
| Fukuoka Asian Art Museum, Fukuoka, Japan | |
| Jupiter Museum of Art, Shenzhen, China | |
| Kiasma, Helsinki, Finland |
How Cover Artist Chiharu Shiota Weaves Memory into Monumental Insallations
Eliza Jordan
"She rips your heart out": This Japanese artist's fiery red installation swallows this S.F. museum
Tony Bravo
This Spring's Must-See Contemporary Art Exhibitions, In London And Beyond
The Guardian view on an explosion of solo exhibitions by women: move over old masters
3 Must-See Art Exhibitions In London - Winter 2026
Echoes Between: Chiharu Shiota's Architectures Come Back at Templon, New York
Chiharu Shiota Returns to New York with Innovative Web-Like Sculptures
Eva Baron
Chiharu Shiota Weaves Memory and Existence in 'Echoes Between'
How Chiharu Shiota weaves a web of memory and history, thread by thread
Sarah Cascone
Notions of home and windblown rootlessness tumble together at ICA's Watershed
Murray Whyte
Silent Emptiness: Japanese Artist Chiharu Shiota at Red Brick
From a horror writers convention to roof top dancing, 30 can't-miss arts events
Don Aucoin, Murray Whyte, Kate Tuttle, Karen Campbell and David Weininger
La laine, c'est "in" : trois expositions ou le textile est a l'honneur a decouvrir a Paris
La vie sur un fil
Chiharu Shiota Fair tanguer le Grand Palais, a Paris
Chiharu Shiota, The Soul Trembles, une exposition au Grand Palais
Valérie Guédot
L'artiste et performeuse japonaise signe l'étiquette de Château Mouton Rothschild 2021
Sous la peau de Chiharu Shiota
Chiharu Shiota: Memory Under the Skin
Le fil rouge de la mémoire
Au musée Guimet, carte blanche aux tissage de l'artiste Chiharu Shiota
Web-Spinning Artist Chiharu Shiota Creates Moving And Haunting Installations
L'attrape rêve de Chiharu Shiota
Sleeping is like death
Venise 2015
A global 'parliament of forms'
Venise inondée d'art contemporain
Une Biennale de Venise placée sous le signe de la nature
Biennale de venise, l'Asie en force
56th Venice Biennale review - more of a glum trudge then an exhilarating adventure
First look at the pavillons: seven national presentations of note in the Giardini
Chiharu Shiota
12 pavillons à ne pas manquer
Les voyages de Chiharu Shiota
Dans les filets de Chiharu Shiota
Mystetskyi Arsenal, Kiev, Ukraine
From May 24th to July 31th 2012 THE BEST OF TIMES, THE WORST OF TIMES – REBIRTH AND APOCALYPSE IN CONTEMPORARY ART Echoing the first words of A Tale of Two Cities (1859), Charles Dickens’ famous novel set at the time of the French Revolution, this exhibition jumps forward to the present to consider how contemporary art and aesthetics use the past to express the future. The ideals of Human Rights developed during 18th Century European Enlightenment found their first political expression in the American and French Revolutions. Combining ideology with action, these initiated a continuing wave of national uprisings that still continue to form the world. Yet in spite of good intentions Human Rights have been constricted and each revolution has contained at its core the worst as well as the best of human thought and action. This exhibition reflects on utopian dreams of freedom, equality, and security that are very much at the heart of our lives today, as well as on their opposite: terror, inequity and war. It is the destructive forces of both man and nature that seem to make a more ideal life impossible. (…)
La Sucrière, Lyon
From May 4th to July 31th 2012 Pour ce premier événement culturel produit par La Sucrière l’artiste réalise une installation monumentale dans une totale intégration de l’architecture du bâtiment. 16 robes blanches, suspendues au plafond dans un réseau de corde noire qui nécessiteront environ 1000 mètres de coton satin et un camion de laine noire (600km de laine). Chaque robe est réalisée par le créateur Mongi Guibane. (…)
Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, Japan
From March 18th to July 1st 2012 An exhibition devoted to Chiharu Shiota, an artist of rapidly growing reputation based in Berlin. Shiota embodies in art the memories we impart to objects and places, our sense of a presence made stronger by absence, and the anxieties and fears we encounter in daily life. (…)