

| Birth | Born in 1972 in Osaka, Japan |
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| Residence | Lives and works in Berlin, Germany |
| Education | 2011 - California College of the Arts (Guest Professor) 2010 – 13 Kyoto Seika University (Guest Professor) 1993 – 03 Universität der Künste, Berlin, Germany 1997 – 99 Hochschule für Bildende Künste, Braunschweig, Germany 1993 – 94 exchange semester at The Australian National University School of Art, Canberra, Australia 1992 – 96 Kyoto Seika University, Japan |
| 2026 | The Soul Trembles, Musée des beaux-arts, Montréal, Canada |
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| Threads of life, Hayward Gallery, London, United Kingdom | |
| Return to Earth, Gana Art Center, Seoul, South Korea | |
| Silent Emptines, Red Brick Museum, Beijing, China | |
| Home Less Home, ICA Watershed, Boston, USA | |
| In the Light, Museum für Kunst + Geschichte, Fribourg, Switzerland | |
| My House is your House, Azkuna Zentroa, Bilbao, Spain |
| 2026 | Kaihō: Japanese Women Artists after 1945, Musée d’Art Moderne Grand-Duc Jean, Luxembourg Summer Show, TEMPLON, Brussels, Belgium Flesh and Bones: The Art of Anatomy, Art Science Museum, Sigapore |
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| 2024 | High Five, Fondation Opale, Lens, Switzerland The Extended Line, Art Basel Unlimited, Basel, Switzerland A Personal View of Japanese Contemporary Art: Takahashi Ryutaro Collection, Museum of Contemporary Art Tokyo, Japan How Did You Come into the World?, Hirosaki Museum Contemporary Art, Aomori, Japan |
| 2023 | KAFKA: 1924, Museum Villa Stuck, Munich, Germany |
| Number, Schloß Tarasp, Switzerland | |
| Kyoto Seika University 55th Anniversary Exhibition : FATHOM, Kyoto Seija University Gallery Terra-S, Kyoto, Japan | |
| Nuqta, interactive Toninstallation, Chiharu Shiota und TRANSIENT Interdisciplinary Research Ensemble, Jeremias Schwarzer, Sammlung Philara, Düsseldorf, Germany |
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| Raumschiff Hubertusburg. Ein Schloss im Wandel, Schenkung Sammlung Hoffmann, Schloss Hubertusburg, Wermsdorf, Germany |
| 2026 | Mudec Museo delle Culture di Milano, Milano, Italy |
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| 2024 | Idomeneo, re di Creta, stage design dramma per musica by Wolfgang Amadeus Mozart; directed and choreographed by Sidi Larbi Cherkaoui in co-production with Dutch National Opera Amsterdam and Théâtres de la ville de Luxembourg dancers from the Ballet du Grand Théâtre and Eastman Grand Théaâtre de Genève, Geneva, Switzerland |
| 2023 | Carmen Rhapsody, scénographie Institut Culturel Japonais, Cologne, Germany |
| 2022 | Nuqta – The beginning, stage design TRANSIENT Interdisciplinary Research Ensemble Konzept and artistic direction by Jermias Schwarzer (Recorder), Sammlung Philara, Düsseldorf, Germany |
| 2018 | Götterdämmerung, stage design with Anna Myga Kasten Opera by Richard Wagner, directed by Daniel Karasek, production by Theater Kiel, Opernhaus Kiel, Germany |
| 2017 | Siegfried, stage design Opera by Richard Wagner, directed by Daniel Karasek, production by Theater Kiel, Opernhaus Kiel, Germany |
| 2016 | Das Wintermärchen, stage design, play by William Shakespeare (The Winter’s Tale), directed by Daniel Karasek, production by Theater Kiel, Schauspielhaus Kiel, Germany alif::split in the wall - a musical exhibition space, installation, artistic direction by Jeremias Schwarzer, production by Zafraan Ensemble, bastille musique, Sebastian Solte Radialsystem V, Berlin, Germany |
| 2019 | The Kyoto Prefecture Akebono Award Academy of Fine Arts Prize of the Simone Foundation and Cino Del Duca 4th BVlGARI Rolla Award (Japan) |
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| 2018 | The 11th Bacon Prize 2018, the A.R.T. foundation (Japan) |
| 2012 | The Audience Choice, at the First Kyiv International Biennale of Contemporary Art (Ukraine) |
| 2009 | Distinguished Service Medal, Kyoto Seika University, Kyoto, Japan Docks Art Fair – Prix de la culture Montblanc, Lyon, France |
| 2008 | Encouragement award for the new artists of the Ministry of Culture, Japan Award Sakuya Kono Hana, Osaka, Japan |
| 2005 | Agency for Cultural Affairs (Bunka-cho), Japan |
| 2004 | Arbeitsstipendium Bildende Kunst Senatsverwaltung für Wissenschaft, Forschung und Kultur, Berlin, Germany |
| 2026 | Rückblicke / Flashbacks, published by Hatje Cantz Editions and Museum Haus Konstruktiv, Zürich, Switzerland |
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| 2024 | Chiharu Shiota, Collection Milestones : At the Heart of Creation, SKIRA éditions |
| 2024 | Chiharu Shiota, Collection Milestones : At the Heart of Creation, SKIRA edition. |
| 2022 | Chiharu Shiota, The Invisible Line, published by ARoS Aarhus Kunstmuseum, Denmark |
| Carte Blanche à Chiharu Shiota, Musée national des arts asiatiques – Guimet, RMN – Grand Palais editions, Paris | |
| Chiharu Shiota, Multiple Realities, published by Frederiksberg Muserne, Denmark | |
| 2021 | The Soul Trembles, Mori Art Museum Editions, Tokyo, Japan |
| Centre Pompidou, Paris, France | |
| Art Gallery of South Australia, Adelaide, Australia | |
| Centre PasquArt, Bienne, Switzerland | |
| Detached, Hobart, Tasmania, Australia | |
| Fukuoka Asian Art Museum, Fukuoka, Japan | |
| Jupiter Museum of Art, Shenzhen, China | |
| Kiasma, Helsinki, Finland |
How Cover Artist Chiharu Shiota Weaves Memory into Monumental Insallations
Eliza Jordan
"She rips your heart out": This Japanese artist's fiery red installation swallows this S.F. museum
Tony Bravo
This Spring's Must-See Contemporary Art Exhibitions, In London And Beyond
The Guardian view on an explosion of solo exhibitions by women: move over old masters
3 Must-See Art Exhibitions In London - Winter 2026
Echoes Between: Chiharu Shiota's Architectures Come Back at Templon, New York
Chiharu Shiota Returns to New York with Innovative Web-Like Sculptures
Eva Baron
Chiharu Shiota Weaves Memory and Existence in 'Echoes Between'
How Chiharu Shiota weaves a web of memory and history, thread by thread
Sarah Cascone
Notions of home and windblown rootlessness tumble together at ICA's Watershed
Murray Whyte
Silent Emptiness: Japanese Artist Chiharu Shiota at Red Brick
From a horror writers convention to roof top dancing, 30 can't-miss arts events
Don Aucoin, Murray Whyte, Kate Tuttle, Karen Campbell and David Weininger
La laine, c'est "in" : trois expositions ou le textile est a l'honneur a decouvrir a Paris
La vie sur un fil
Chiharu Shiota Fair tanguer le Grand Palais, a Paris
Chiharu Shiota, The Soul Trembles, une exposition au Grand Palais
Valérie Guédot
L'artiste et performeuse japonaise signe l'étiquette de Château Mouton Rothschild 2021
Sous la peau de Chiharu Shiota
Chiharu Shiota: Memory Under the Skin
Le fil rouge de la mémoire
Au musée Guimet, carte blanche aux tissage de l'artiste Chiharu Shiota
Web-Spinning Artist Chiharu Shiota Creates Moving And Haunting Installations
L'attrape rêve de Chiharu Shiota
Sleeping is like death
Venise 2015
A global 'parliament of forms'
Venise inondée d'art contemporain
Une Biennale de Venise placée sous le signe de la nature
Biennale de venise, l'Asie en force
56th Venice Biennale review - more of a glum trudge then an exhilarating adventure
First look at the pavillons: seven national presentations of note in the Giardini
Chiharu Shiota
12 pavillons à ne pas manquer
Les voyages de Chiharu Shiota
Dans les filets de Chiharu Shiota
MARTA HERFORD, MUSEUM FOR ART, ARCHITECTURE, DESIGN, HERFORD, GERMANY From 23/06/2018 to 23/09/2018
Labyrinths are based on complex systems that challenge our orientation in a playful way. In a globalized world they become symbolic signs that give the growing feeling of confusion a tangible form. The motif of the labyrinth has also gained new significance in art. The room structures, many of which were developed especially for the exhibition, invite you to lose your way with passion, and to experience the search for orientation as a productive force. Artists: Anne Hardy, Peter Kogler, Christian Odzuck, Royden Rabinowitch, Chiharu Shiota, Song Dong
GOTHENBURG MUSEUM OF ART, GOTEBORG, SWEDEN From 21/04/2018 to 30/09/2018
The exhibition comprises photography, drawing and sculpture along with two large-scale installations, created specifically by Chiharu Shiota for the Gothenburg Museum of Art. The exhibition at the Gothenburg Museum of Art coincides with a presentation of Chiharu Shiota at the Wanås sculpture park in Skåne. Altogether, the two exhibitions offer a unique insight into the work of a highly relevant artist.Shiota’s artistry is presented in a comprehensive museum exhibition for the first time in Sweden.
CHAPEL FUTURE, YORKSHIRE SCULPTURE PARK, WAKEFIELD, UK From 30/03/2018 to 02/09/2018
Acclaimed installation and performance artist Chiharu Shiota will create an awe-inspiring, site-specific installation of thread within the beautiful 18th-century Chapel in spring 2018. Embracing all who enter within an extraordinary experience, Shiota’s project will reference the Chapel’s rich history and years of human presence, dating back to 1744, making poignant allusion to the bells that were rung, the songs that were sung, and the lives that revolved around it, from cradle to grave.
MUSEUM OF KYOTO, KYOTO, JAPAN From 20/01/2018 to 04/02/2018
Chiharu Shiota, The Butterfly Dream is featured in group show “Kyoto Art for Tomorrow” at the Museum of Kyoto.
ELGIZ MUSEUM, ISTANBUL, TURKEY From 5/12/2017 to 30/04/2018
Elgiz Museum presents a new selection from the collection: In Fact. The exhibition focuses on the concepts of representation and the act of referring. In Fact includes works of different media and investigates the models of representation through the referred. How do we re-evaluate the increasingly impossible act of representation in the current post-truth era we face today; through constructed identities and the perception of social identity? The hollow dress titled State of Being by Chiharu Shiota, who represented the Japanese Pavillion at the previous Venice Biennale, bundles up a reality we know that exists, but is indescribable. With : Ragip Basmazolmez, Ramazan Bayrakoğlu, Tracey Emın, Ozlem Günyol, Liu Chun Hai, Thomas Houseago, Bengü Karaduman, Ihsan Oturmak, Jım Shaw, Cındy Sherman, Chıharu Shıota, Tunca, Hale Tenger, Gavın Turk, Erwın Wurm, Pan Yue.
OSTENDE, BELGIUMFrom 21/10/17 to 15/04/18
« The Raft. Art is (not) Lonely » will bring together 73 international artists in Oostende chosen by curators Jan Fabre and Joanna De Vos and will present 52 new creations of young and experienced artists.
The exhibition discusses the artist’s quest and the duality of the creation, based on isolation and engagement.
Artists from different generations and different paths were invited to question the link between « Le radeau de la méduse » (1818) of Théodore Géricault and Jan Fabre’s work « Le Radeau est (pas) solitaire (1986) ».
The curators have the intention to stimulate the city in order to make it (re)discovered. Besides the well-known museum, they looked for more unsual places like the Peperbusse restaurant, le
Palais de Justice, the Eurpacentrum building, the stables of the Wellington track race or the crypts of the Sint-Jozef church.
« The Raft. Art is (not) Lonely » will be an artistic journey disseminated in 22 places of the « City by the sea » .
MUSEUM FÜR NEUE KUNST, FREIBURG, GERMANYFrom 14/10/2017 to 15/04/2017
How can art endure, age, change? How can the museum design and cultivate relationships with artists, as well as with private and public partners? Indeed, how can it use and enrich the history of its own collection? How can the collection be developed and extended in future? Both in good times and in bad? A new special exhibition will address these questions, focussing in particular on one influential feature of the museum as a public site: it undertakes a responsibility over a long period, promoting discourse and fostering connections and relationships.
Five artists from the contemporary collection – Monika Baer, Katharina Grosse, Svenja Kreh, Chiharu Shiota and Georg Winter – were asked for suggestions regarding which artist or which work they consider to a be fitting counterpart for their work. Not only does the Museum für Neue Kunst listen to these opinions, it also accords them a lot of weight. What has emerged from these consultations are a number of exciting and unusual connections, dissonances and collaborations which will be on show for a period of six months.
This experimental format permits the museum to reflect upon its collection and readjust the paradigms and perspectives that attend it. At the same time, it represents an opportunity for a fresh approach to the museum’s duties: collecting, conserving, researching, exhibiting and educating.
Curated by Christine Litz & Elena Frickmann
NIKOLAIKIRCHE, BERLINFrom 29/09/17 to 10/11/17
Chiharu Shiota presents a major new site specific installation in Berlin’s oldest church, Nikolaikirche, ’Lost Words’, relating to the 500th anniversary of Protestant Reformation and commissioned by the capital’s museum Stadtmuseumberlin