MAGASIN ELECTRIQUE, ARLES, FRANCE From 02/07/2018 to 23/09/2018
Young French artist Prune Nourry has been invited by publisher Actes Sud to take part for the first time in the Arles Rencontres Photographiques festival. She will be presenting a series of works in a former SNCF workshop featuring photographs and sculptures as well as the giant Buddha she recently created for the Musée National des Arts Asiatiques (Guimet) in Paris. Prune Nourry’s photographs narrate the long-term projects she has undertaken in China and India on the theme of the gender selection of children. With these travel tales and unexpected encounters orchestrated between her hybrid creatures and passers-by in the streets of Delhi, she captures and highlights the creative process as a participant in its own right, the images revealing the underlying matter, from earth to milk. She creates a dialogue between her sculptures – the Holy Daughters, half girls, half holy cows – and the photographs, or “sculpted images”, which extend her probing of women’s status and the misuse of science while questioning their medium. Prune Nourry, Men Without Women, Holy Daughter, New Delhi, 2010. Courtesy of the artist. Associated programme, Les Rencontres de la Photographie, Arles 2018. Venue: Magasin Electrique – Opening hours: 10 am – 7.30 pm
FONDATION MARGUERITE ET AIME MAEGHT, SAINT-PAUL, FRANCE From 30/06/2018 to 11/11/2018
From June 30 to November 11, 2018, the Maeght Foundation will welcome Belgian artist Jan Fabre. This “customized” exhibition, designed for the Fondation, will be devoted to his sculptures and drawings – many of them brand new – dealing with the mind, the body, our dreams and especially our imagination, in conversation with scientific discoveries and art history. Fabre wanted this exhibition to be spiritual in every sense of the word, at once dreamlike and serious but with the irony of games and a humor in the style of James Ensor. The mind and the brain become a source, a land, a character whose adventures we can experience through the show.Sometimes considered provocative and iconoclastic, the “contemporary mystic” Jan Fabre keeps in mind the memory of the Flemish Primitives and the old masters of Flemish Baroque and builds on the tradition to daringly plunge into the unknown: “The brain represents, to me, a metaphor for the terra incognita. Dealing with art and beauty is to always walk along the path of this terra incognita“. Like science which relies on knowledge to initiate discovery, the notion of experience, through the study and observation of things, makes up one of the foundations of Fabre’s work and his approach.Cerveau de Janus (Yeux verts) 2012. Silicon, paint and glass, synthetic lashes, wooden base. Photo Pat Verbruggen © Angelos bvba
CENTRO INTERNACIONAL DAS ARTES JOSE DE GUIMARAES, GUIMARAES, PORTUGAL From 29/06/2018 to 07/10/2018
This exhibition is dedicated solely to bringing together unique works by Julião Sarmento – never before seen or never before produced pieces – which cover the career of one of the most prominent Portuguese artists, with these works related to certain periods and various areas which we paradoxically have little record of. The exhibition curators have collaborated with the artist to bring this exercise of reconstitution to fruition. Curated by Nuno Faria and Filipa Oliveira
NATIONAL PORTRAIT GALLERY, LONDON, UK From 28/06/2018 to 21/10/2018
This landmark exhibition explores the influence of Michael Jackson on some of the leading names in contemporary art, spanning several generations of artists across all media. Curated by Dr Nicholas Cullinan, Director of the National Portrait Gallery, the exhibition will open in the summer of 2018 to coincide with what would have been Michael Jackson’s 60th birthday (on August 29, 2018). With among others Andy Warhol, David Hammons, David LaChapelle, Kehinde Wiley, Glenn Ligon.
MARTA HERFORD, MUSEUM FOR ART, ARCHITECTURE, DESIGN, HERFORD, GERMANY From 23/06/2018 to 23/09/2018
Labyrinths are based on complex systems that challenge our orientation in a playful way. In a globalized world they become symbolic signs that give the growing feeling of confusion a tangible form. The motif of the labyrinth has also gained new significance in art. The room structures, many of which were developed especially for the exhibition, invite you to lose your way with passion, and to experience the search for orientation as a productive force. Artists: Anne Hardy, Peter Kogler, Christian Odzuck, Royden Rabinowitch, Chiharu Shiota, Song Dong
STANDARD PLAZA NYC, NEW YORK, USAJune 21, until end of June 2018
French artist Prune Nourry’s Amazon is to be installed and unveiled on the Standard High Line Plaza. A13 feet tall Amazonian woman with a wounded breast, the sculpture was inspired by Greek mythology and a marble statue on display at the Metropolitan Museum of Art. On June 21 this contemporary urban warrior made of winterstone will be celebrated in a musical incense ceremony and live performance by the artist accompanied by Jon Batiste on solo piano at The Standard Plaza. Rooted in her intimate experience of breast cancer, and echoing a once claimed tradition that the Amazons cut off their right breast to be more competent archers, Prune Nourry will later on break one of the breasts from The Amazon’s bust in a cathartic gesture, during a secret ceremony. Similar to Destruction Is Not The End – a ruined, fragmented monumental Buddha created by Prune Nourry for the Museum of National Asian Arts in Paris – The Amazon is partly covered with red incense sticks, recalling both acupuncture needles and ex-votos. She evokes a deity calling for care and healing – her gaze is iridescent, her glass eyes making her feel alive. The concrete woman aims to deliver a message to all women, warriors and survivors. Nourry’s Amazon will be on display in The Plaza at The Standard, High Line until the end of June. Following the installation’s residency at The Standard, the sculpture will be sold at auction; part of the proceeds will be donated toward education regarding cancer-preventative lifestyles, wellness, and support for women living with cancer. INAUGURATION June 21 – Performance by the artist pomptly at 9 pm – arrival time 8:45 pm suggested
COUVENT DES MINIMES, PERPIGNAN, FRANCE From 20/06/2018 to 31/07/2018
The artist duo Pierre et Gilles will be present at the 8th edition of the International Festival of Art books and Film, to unveil a never seen before exhibition and a public meet-up. The exhibition dedicated to the theme of sacred, will be on show from the 20th until the 31st of July at the « Chapelle Basse » of the Couvent des Minimes.
MAGASINS GENERAUX, PANTIN, FRANCE From 09/06/2018 to 05/08/2018
For the launch of their first cultural season, The Magasins généraux are pleased to propose an exhibition and performances exploring the links between art, football and society from 1988 to 2018. With, among others : Neil Beloufa, Mohamed Bourouissa, Guillaume Bresson, Taro Izumi, Claude Lévêque, Melik Ohanian, Pierre et Gilles, Juergen Teller, Kehinde Wiley, Erwin Wurm etc. Image: Kehinde Wiley, Idrissa Ndiaye, 2012, oil on canvas, 244 x 213,5 cm
MUSEE JEAN COCTEAU, MENTON, FRANCE From 02/06/2018 to 05/11/2018
Museum Jean Cocteau in Menton presents a major exhibition of Valerio Adami, gathering a body of paintings, drawings and photographs from the late 1960s until today. Born in Bologna in 1935, Adami is a painter, a drawer and a printmaker. After his first solo exhibition in Milano (1957) when he was still very largely influenced by Roberto Matta’s surrealism, the artist soon followed the path of European New Figuration and Narrative Figuration Oscillating in between line and colour as well as in between drawing and painting, Valerio Adami’s work can be perceived as a kind of writing in itself, an exploration through mythology, poetry and the intimacy of an artist. The museum Jean Cocteau / collection Séverin Wunderman, proposes a journey through the artist’s half a century creation.
FONDATION FERNET-BRANCA, SAINT-LOUIS, FRANCE From 27/05/2018 to 30/09/2018