And a third for Richard Serra, who, after Beaubourg and the Tuileries (October and December 1983), is back with his steel plan. This time, he’s pulled out all the stops with seven large cubes, each weighing two tons. […] We only wonder how the pieces got into the gallery and worry about the parquet floor. We feel compelled to take a light-hearted look at the pieces.

Libération, 22 septembre 1984
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