

| Birth | Born in 1972 in Osaka, Japan |
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| Residence | Lives and works in Berlin, Germany |
| Education | 2011 - California College of the Arts (Guest Professor) 2010 – 13 Kyoto Seika University (Guest Professor) 1993 – 03 Universität der Künste, Berlin, Germany 1997 – 99 Hochschule für Bildende Künste, Braunschweig, Germany 1993 – 94 exchange semester at The Australian National University School of Art, Canberra, Australia 1992 – 96 Kyoto Seika University, Japan |
| 2025 | Two Home Countries, Japan Society, New York, USA |
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| 2025 | The World Is Yours, Fundación Casa Wabi, Mexico City, Mexico |
| 2024 | At the Edge of Fate, Jupiter Museum of Art, Shenzhen, China |
| Another Planet, A4 Art Museum, Chendu, China | |
| I to Eye, Nakanoshima Museum of Art, Osaka, Japan | |
| Beyond Consciousness, Musée du Pavillon de Vendôme, Musée des Tapisseries, Chapelle de la Visitation, Aix-en-Provencec, France | |
| Wo sind wir jetz ?, KULTURE IM FLUSS, Bad Ischl, Austria |
| 2023 | KAFKA: 1924, Museum Villa Stuck, Munich, Germany |
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| Franz Kafka : 1924, Museum Villa Stuck, Munich, Germany | |
| Number, Schloß Tarasp, Switzerland | |
| Kyoto Seika University 55th Anniversary Exhibition : FATHOM, Kyoto Seija University Gallery Terra-S, Kyoto, Japan | |
| Narrative Threads: Fiber Art Today, Moody Center for the Arts, Rice University, Houston, Texas, USA | |
| 2022 | JAPAN. BODY_PERFORM_LIVE, group show, PAC Padiglione d’Àrte Contemporanea, Milan, Italy |
| BAB 2022 Chaos:Calm, Bangkok, Thailand |
| 2018 | Götterdämmerung, stage design with Anna Myga Kasten Opera by Richard Wagner, directed by Daniel Karasek, production by Theater Kiel, Opernhaus Kiel, Germany |
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| 2017 | Siegfried, stage design Opera by Richard Wagner, directed by Daniel Karasek, production by Theater Kiel, Opernhaus Kiel, Germany |
| 2016 | Das Wintermärchen, stage design, play by William Shakespeare (The Winter’s Tale), directed by Daniel Karasek, production by Theater Kiel, Schauspielhaus Kiel, Germany alif::split in the wall - a musical exhibition space, installation, artistic direction by Jeremias Schwarzer, production by Zafraan Ensemble, bastille musique, Sebastian Solte Radialsystem V, Berlin, Germany |
| 2014 | Tristan und Isolde, stage design , Opera by Richard Wagner, directed by Daniel Karasek , production by Theater Kiel, Opernhaus Kiel, Kiel, Germany |
| 2011 | Matsukaze, stage design with Pia Maier Schriever, Opera by Toshio Hosokawa, directed and choreographed by Sasha Waltz, production by Sasha Waltz & Guest, commissioned by Théâtre Royal de la Monnaie, Brussels, in cooperation with Grand Théâtre de Luxembourg, Teatr Wielki – Polish National Opera and in cooperation with Berliner Staatsoper |
| 2009 | Oedipus Rex, stage design, Directed and Choreographed by Constanza Macras, production by Constanza Macras | DorkyPark and HELLERAU Dresden, cooperation with Hebbel am Ufer Berlin and Théâtre de la Place Liege Tattoo, stage design, written by Dea Loher, directed and Choreographed by Toshiki Okada Production by New National Theatre Tokyo, Japan |
| 2019 | The Kyoto Prefecture Akebono Award Academy of Fine Arts Prize of the Simone Foundation and Cino Del Duca 4th BVlGARI Rolla Award (Japan) |
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| 2018 | The 11th Bacon Prize 2018, the A.R.T. foundation (Japan) |
| 2012 | The Audience Choice, at the First Kyiv International Biennale of Contemporary Art (Ukraine) |
| 2009 | Distinguished Service Medal, Kyoto Seika University, Kyoto, Japan Docks Art Fair – Prix de la culture Montblanc, Lyon, France |
| 2008 | Encouragement award for the new artists of the Ministry of Culture, Japan Award Sakuya Kono Hana, Osaka, Japan |
| 2005 | Agency for Cultural Affairs (Bunka-cho), Japan |
| 2004 | Arbeitsstipendium Bildende Kunst Senatsverwaltung für Wissenschaft, Forschung und Kultur, Berlin, Germany |
| 2022 | Chiharu Shiota, The Invisible Line, published by ARoS Aarhus Kunstmuseum, Denmark |
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| Carte Blanche à Chiharu Shiota, Musée national des arts asiatiques – Guimet, RMN – Grand Palais editions, Paris | |
| Chiharu Shiota, Multiple Realities, published by Frederiksberg Muserne, Denmark | |
| 2021 | The Soul Trembles, Mori Art Museum Editions, Tokyo, Japan |
| Chiharu Shiota, Tracing Boundaries, published by Espoo Museum of Modern Art, Espoo, Finland | |
| 2019 | Chiharu Shiota Gedankenlinen / Line of Thought, published by Dr. Andrea Firmenich for Museum Sinclair-Haus, Stiftung Nantesbuch, Germany |
| 2018 | Chiharu Shiota, Art Jameel editions, Dubai, United Arab Emirates Chiharu Shiota, Art Gallery of South Australia, Adelaide, Australia Chiharu Shiota, Beyond Time, Yorkshire Sculpture Park, Yorkshire, United Kingdom Dekalog / Lost Words, Kerber Verlang editions, Bielefield, Berlin, Germany |
| Art Gallery of South Australia, Adelaide, Australia | |
| Centre PasquArt, Bienne, Switzerland | |
| Detached, Hobart, Tasmania, Australia | |
| Fukuoka Asian Art Museum, Fukuoka, Japan | |
| Jupiter Museum of Art, Shenzhen, China | |
| Kiasma, Helsinki, Finland | |
| Le Bon Marché Rive Gauche (collection LVMH), Paris, France |
Echoes Between: Chiharu Shiota's Architectures Come Back at Templon, New York
Chiharu Shiota Returns to New York with Innovative Web-Like Sculptures
Eva Baron
Chiharu Shiota Weaves Memory and Existence in 'Echoes Between'
How Chiharu Shiota weaves a web of memory and history, thread by thread
Sarah Cascone
Notions of home and windblown rootlessness tumble together at ICA's Watershed
Murray Whyte
Silent Emptiness: Japanese Artist Chiharu Shiota at Red Brick
From a horror writers convention to roof top dancing, 30 can't-miss arts events
Don Aucoin, Murray Whyte, Kate Tuttle, Karen Campbell and David Weininger
La laine, c'est "in" : trois expositions ou le textile est a l'honneur a decouvrir a Paris
La vie sur un fil
Chiharu Shiota Fair tanguer le Grand Palais, a Paris
Chiharu Shiota, The Soul Trembles, une exposition au Grand Palais
Valérie Guédot
L'artiste et performeuse japonaise signe l'étiquette de Château Mouton Rothschild 2021
Sous la peau de Chiharu Shiota
Chiharu Shiota: Memory Under the Skin
Le fil rouge de la mémoire
Au musée Guimet, carte blanche aux tissage de l'artiste Chiharu Shiota
Web-Spinning Artist Chiharu Shiota Creates Moving And Haunting Installations
L'attrape rêve de Chiharu Shiota
Sleeping is like death
Venise 2015
A global 'parliament of forms'
Venise inondée d'art contemporain
Une Biennale de Venise placée sous le signe de la nature
Biennale de venise, l'Asie en force
56th Venice Biennale review - more of a glum trudge then an exhilarating adventure
First look at the pavillons: seven national presentations of note in the Giardini
Chiharu Shiota
12 pavillons à ne pas manquer
Les voyages de Chiharu Shiota
Dans les filets de Chiharu Shiota
DELLO SCOMPIGLIO, CAPANNORI LUCCA, ITALY
From May 24th to September 28th 2014 The Associazione Culturale Dello Scompiglio presents “A Long Day”, the new installation by the Japanese artist Chiharu Shiota, curated by Franziska Nori, created specifically for the exhibition space at Dello Scompiglio. The exhibition features some of the most incisive aspects of the artist’s work, combining installation, sculpture and performance in a condensed space-time dimension. (…)
KIEL OPERA HOUSE, VIENNE
Saturday January 25, 2014, 5 pm is the premiere of the opera ‘Tristan und Isolde’, directed by Daniel Karasek at Oper Kiel.
Additional performances in 2014: February 02, March 03 and 23, April 18, May 24, June 09
Artist Talk at Kunsthalle zu Kiel
In addition, an artist talk will take place together with opera director Daniel Karasek:
Sunday, January 26, 3 pm at Kunsthalle zu Kiel (Kunsthalle zu Kiel, Düsternbrooker Weg 1, 24105 Kiel).
The New Art Gallery, Walsall, UK
From January 17th to March 30st 2014 Chiharu Shiota frequently uses found objects within her sculptural installations, particularly those that resonate with personal and emotional histories. Doors and windows from demolished and derelict buildings, clothing, shoes, old furniture and vintage suitcases are frequent motifs within her work. Such objects evoke powerful and emotive human stories of journeys, of migration, of love and loss. (…)
CARREE SAINT-ANNE, ESPACE D'ART CONTEMPORAIN, MONTPELLIER
From october 04st to November 17th 2013 Reprenant le projet de la Maison Rouge et de la Sucrière, Chiharu Shiota nous propose, pour le Carré Sainte-Anne de Montpellier « After the dream 2013 » : une réalisation spécifique à l’architecture du lieu et à son identité, en utilisant le plafond et les piliers comme structures d’environnement immersif. Cinq très longues robes blanches pendues au plafond, entre les piliers, dans tout l’espace. Un fil noir emprisonne les robes dans un tissage complexe évoquant des nids de chenilles ou plus encore des toiles d’araignées.(…)
The Mattress Factory Art Museum, Pittsburgh, USA
From September 12th 2013 to May 31st 2014 The site-specific installation of new works by Shiota will fill the eight rooms in the building at 516 Sampsonia Way—a 19th-century row home with a storied past—which is suited to the artist’s work. Its interior is cosmetically untouched; the raw condition of the building lends itself well to reflections on the past and the conjuring of memories. Learn more about 516 Sampsonia Way from former tenant Richard Morris. (…)
The Museum of Art, Kochi, Japan
From Sunday 7th July to Monday 23th September 2013 Our next exhibition will feature new works by Chiharu Shiota, an artist who is the focus of attention in art circles all over the world. Born in Osaka, Chiharu Shiota is currently based in Berlin, Germany. Deemed a young artistic master with artworks of epic proportions, she actively creates new works in various countries, and her next move constantly attracts much attention. Her roots lie in Kochi’s Ogata Town (current Kuroshio Town)—her parents’ hometown—and her memories of the many childhood summers spent here were the catalyst for her creation of art. (…)
Casa Asia, Barcelona, Spain
From October 23th 2012 to March 30th 2013 Shiota’s installations produce their own spaces, where hundreds of invisible threads that bond us to things can be seen. In these domestic scenarios she proposes, threads become bridges between a bride’s dress and the absent subject, a piano, suitcases and a mirror. In her work, these threads are veins with tears, fear for abyss, life and death; threads that are plots of particular and universal stories, interweaving like the inverted roots of a tree, just like a rhizome through multiple branches that hold up the relationship between I and the world. (…)