

| Birth | Born in 1972 in Santiago, Chile |
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| Residency | Lives and works in New York, USA |
| Education | 1991-1995, BFA, Pontificia Universidad Católica of Chile. Santiago, Chile. |
| 2025 | TEMPLON, Paris, France |
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| 2024 | Reloj Solar, Galeria Madre, Santiago, Chile |
| 2023 | Silent Homeless Lamp, installation temporaire, Sunset Boulvard, Los Angeles, USA |
| Iván Navarro, Peninsula Hotel, New York, USA | |
| Eccidio, MicroMuseo di Arte Contemporanea della Tuscia, Viterbo, Italy | |
| 2022 | Celestialand, TEMPLON, New York, USA |
| Thunder, Martin Asbaek Gallery in collaboration with TEMPLON, Copenhagen, Denmark |
| 2024 | Glow : Neon and Light, Akron Art Museul, Ohio, USA Light Sound Senses, Heidi Horten Collection, Vienna, Austria |
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| Refaire le monde, Festival de la Francophonie, Gaîté Lyrique, Paris, France | |
| Under Pressure, Poli/Gráfica, Puerto Rico | |
| Au bout de mes rêves, La Tripostal, Lille, France | |
| La Conciencia Brillante, CristalLlíquido y Pantallas Expandidas, CAB - Centro de Arte Caja de Burgos, Burgos, Spain | |
| Enlazando Mundos, Palacio de Bellas Artes, Museo de Arte Moderno de Santo Domingo, Santo Domingo, Dominican Republic | |
| Bajo presión / Under Pressure, Poli/Gráfica de Puerto Rico: América Latina y el Carib, Antiguo Arsenal de la Marina Española, Puerto Rico |
| Musée Thyssen, Madrid, Spain | |
| 21C Museum, Louisville, USA | |
| The Bangkok EDITION, Bangkok, Thailand | |
| Borusan Contemporary, Istanbul, Turkey | |
| Caldic Collection, Rotterdam, The Netherlands | |
| Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain | |
| CENTRO University, Mexico City, Mexico |
| 2025 | Permanent installation at Metro station Villejuif Institut Gustave Roussy, (collaboration with architect Dominique Perrault), Grand Paris Express, Paris, France |
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| 2023 | The Grand Paris Express project has been awarded the Veronica Rudge Green Prize for urban design by Harvard University (GSD), Boston, USA |
| 2021 | Memorial, Santiago, Chile |
| 2020 | The Ladder, public art installation, San Francisco, USA |
| 2019 | Residency at CCA Andraxt, Mallorca, Spain |
| Video Screening “Homeless Lamp, The Juice Sucker” at MACRO MUSEUM, Rome, Italy | |
| Artist Talk, Puerto Ideas, Valparaíso, Chile |
| 2024 | Vid Vida Vidajena, (collaboration with Courtney Smith) La Capilla Azul Chiloé, Chile |
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| 2023 | Tierra Sin Tierra, (in collaboration with Hueso Records) Teatro Italia, Chaco |
| Las Ramas, (collaboration with Courtney Smith) Tierra Sin Tierra, Teatro Italia, Chaco | |
| El Paso (collaboration with Courtney Smith), Hawuapi – PS122, New York, USA | |
| 2022 | Panorama (collaboration with Courtney Smith), Van Alen Institute, Brooklyn, USA |
| Girasol, (collaboration with Courtney Smith), Revolver, New York, USA | |
| Remolino De Suerte (collaboration with Courtney Smith), Van Alen Institute, Brooklyn, USA |
| 2025 | Cadran Solaire, Grand Paris Express, Permanent installation at Metro station |
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| Villejuif Institut Gustave Roussy, in collaboration with architect Dominique Perrault Paris, France | |
| 2023 | Landless Land, Moving Image Media Art, City of West Hollywood, Los Angeles, USA |
| 2022 | Cohecho, Centro de Documentación de las Artes Visuales, Santiago, Chile |
| This land is Your Land, Art-OMI, Ghent, New York, USA | |
| 2021 | Un Río de Sangre, Rio Mapocho, Festival Santiago a Mil, Santiago, Chile |
| 2020 | This Land is Your Land, The Momentary, Bentonville, Arkansas, USA |
| Iván Navarro, Land Mark, Archivorum, Berlin and Kodoji Press, Baden, 2022 | |
| Iván Navarro, Welcome, Editions TEMPLON and Skira, 2020 | |
| Iván Navarro, Espejos y Espejismos – Mirrors and Mirages, Editions Manuel Cirauqui, 2017 | |
| Iván Navarro, Una guerra silenciosa e imposible, CorpArtes, Santigo de Chile, 2015 | |
| Iván Navarro, Threshold, Venice Biennale, Charta, Venice, 2009 | |
| Iván Navarro, Editions TEMPLON, Paris, 2007 |
Voyages en Art
Galeries La Cosmologie D'Iván Navarro
Iván Navarro nous hypnotise avec son expo Cyclops à la Galerie Templon
Iván Navarro: Cyclops - The Thunder, The lightning and the Glare
Iván Navarro: Cyclops
Navarro's sculptures navigate economic, political connotations of daily life
Les constellations d'Iván Navarro
Iván Navarro's cosmic sculptures illuminate dark forces
Illuminate SF Brightens Up Winter Nights
Iván Navarro, abîmes électriques
Ivan Navarro's The Ladder
L'art au Peninsula
Ivan Navarro: Prostutopia
A conversation with Ivan Navarro
Iván Navarro: Fanfare
La lumière crue
Shining a light on History
Iván Navarro: Where is the next war?
Iván Navarro: Man of Refraction
Iván Navarro : Lighting up the Armory Show
Iván Navarro
Une longueur d'avance
The end of the tunnel
Iván Navarro, l'être et le néon
Iván Navarro: Antifurniture
Entropology
Paris La Défense (Hauts-de-Seine)
From June 25 to October 4
Daniel Templon est âgé de 21 ans lorsqu’il fonde la galerie en 1966, rue Bonaparte dans le quartier de Saint-Germain-des-Prés. D’abord ouverte sous le nom de Cimaise-Bonaparte dans la cave d’un antiquaire, la galerie déménage rapidement à l’étage, avant de déménager en 1972 dans le Marais, rue Beaubourg, à quelques pas du futur Centre Pompidou.
From June 20 to November 1, 2020
Fondation Villa Datris, 7 Avenue des Quatre Otages, 84800 L'Isle-sur-la-Sorgue, France
This year, the Fondation Villa Datris decided to explore a current issue: the act of recycling, through sculpture. At a time where sustainable development has become a priority, contemporary artists took over the topic to explore it through a creative eye. They used imagination and inspiration to create a new world flows. Numerous artists tried to recycle. Among them are Jim Dine and Iván Navarro who made their way into the exhibition, underlining our presents concerns.
From march 5 to october 4, 2020
Boghossian foundation, Avenue Franklin Roosevelt, 67B, 1050 Bruxelles
The exhibition presented by the Boghossian foundation explores artistic representation of the planet: map, frontiers and travels, social and ecological upheavals. Visitors discovers a selection of contemporary works revealing their vision of the globe through many different medium. The representation of the world, as much today than yesterday, comes from scientific and convenient necessity to perceive our geography, far and near, as a vivid source for the imagination. Contemporary artists such as Iván Navarro are still captivated by the world map and constantly try to reinvent it or transform it. For Navarro, the new mappa mundi is a complex overlay of neon and mirrors, brought to life by electrical power.
FUTUR TRAIN STATION "GARE DE VILLEJUIF"
As part of its artistic and cultural brief, GRAND PARIS EXPRESS has announced that Iván Navarro will be one of its guest artists, working with architect Dominique Perrault (DPA) on the future Villejuif-Institut Gustave Roussy station. Grand Paris Express is Europe’s largest urban infrastructure project, with 200-km of new automated metro lines and 68 new stations to build by 2030, designed by influential modern architects. As part of this unprecedented urban transformation project, and to promote the emergence of a unified city-wide identity, Société du Grand Paris (SGP) has launched a major arts programme under the direction of José-Manuel Gonçalvès. Each new station will be the setting for a lasting artistic intervention, fruit of the convergence between two creative worlds, architect and artist working in tandem. The programme will lead to the creation of a vast body of multi-disciplinary art, with an impact simultaneously local and city-wide. Iván Navarro and Dominique Perrault are one of the first architect-artist pairs to be announced. They will work together on the Villejuif Institut-Gustave Roussy station, collaborating on a project focused on sensations of depth and the interplay of light.
MUSEO DE ARTE CONTEMPORANEO DE BUENOS AIRES, BUENOS AIRES, ARGENTINA November 15, 2019 - March 1, 2020
The Museo de Arte Contemporáneo de Buenos Aires presents BIFOCAL, a solo exhibition of the internationally recognized Chilean artist Iván Navarro. In collaboration with Revolver Galería (Buenos Aires and Lima), Templon Galerie (París), Galería Isabel Aninat (Santiago de Chile) and Luciana Brito Galeria (SãIno Paulo), the show will feature a selection of more than fifteen artworks, including neon sculptures and audio-visual installations. Navarro’s work seeks to explore the aesthetic and political dimensions of electricity through perceptual alterations stimulating the spectator in a sensorial and psychological way. Thereby, the artist achieves to reinvent everyday objects to criticize power institutions and ponder about Chilean history.
AMBASSADE DU BRESIL-PALAIS PEREDA, BUENOS AIRES, ARGENTINA From 26/06/2019 to 30/10/2019
How much do the spaces we inhabit say about us? What forms do such spaces take? In what way do they reflect our lifestyle? If the home is the border limit between outside and inside, public and private, safety and uncertainty, “home” is also the projection of our own body (and in particular our mind) as a kind of microcosm which with to dispute the immensity of the universe. In the context of this exhibition, we conceive of home as a space-time where we unfurl the experience of inhabitation, anchoring men and women’s primary desire to occupy a place in the world, which is also the springboard for imagination to take flight.
GUGGENHEIM BILBAO, BILBAO, SPAINFrom 5/12/2017 to 15/04/2018
The point of departure of Art and Space is the collaboration between Basque sculptor Eduardo Chillida and German philosopher Martin Heidegger in 1969, which resulted in the publication of an artist book whose title inspired that of this exhibition. By updating and fleshing out concepts and questions embedded in that extraordinary dialogue, this show presents more than 100 works by international artists and offers itself as a reinterpretation of the history of abstraction in the past six decades.
MUDAC, LAUSANNE, SWITZERLANDFrom 5/31/2017 to 10/01/2017
The exhibition Mirror Mirror takes the form of a series of chapters and aims to bridge the microscopic gap separating our image from our being. Our reflection is utterly specific, making it undoubtedly the most complex of all images. In it, recognition and illusion are confused, giving rise to an inner disorder linked to our constant desire to read our identity here. Each chapter tackles a specific theme relating to the mirror or reflections, and presents an array of design objects, complemented by others from the worlds of contemporary art and photography. Artists, whether famous or emerging, offer their take on the idea which, on the frozen surface of the window, now defines our being in the world.