2011 |
Atget and Contemporary Photography, Leslie Feely Fine Art, New York City, États-Unis
Duane Hanson / Gregory Crewdson: Uncanny Realities, Museum Frieder Burda, Baden-Baden, Allemagne
2010
Meet me inside, Gagosian Gallery, Beverly Hills, États-Unis
2008
A Show of Hands : Photographs and Sculpture from the Henry Buhl Collection, The Norton Museum of Art, West Palm Beach, États-Unis
Beyond the Backyard, Museum of Contemporary Photography, Chicago, États-Unis
Invisible Rays : The Surrealism Legacy, Rose Art Museum, Waltham, États-Unis
Las Implicaciones de la Imagen, Universidad Nacional Autónoma de México, Museo Universitario de Ciencias y Arte, Mexico, Mexique
Of Other Spaces, Bureau for Open Culture, Columbus College of Art & Design, Columbus, États-Unis
Oh L'Amour: Contemporary Photography from The Stéphane Janssen Collection, The Center for Creative Photography, Tucson, États-Unis
Reality Check : Truth and Illusion in Contemporary Photography, The Metropolitan Museum of Art, New York City, États-Unis
Sheldon Survey : An Invitational, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, États-Unis
to: Night, Contemporary Representations of the Night, The Bertha and Karl Leubsdorf Art Gallery, The Hunter College Art Galleries, New York City, États-Unis; Times Square Gallery, The Hunter College Art Galleries, New York City, États-Unis
Untitled (Vicarious), Gagosian Gallery, New York City, États-Unis
World's Away : New Suburban Landscapes, Walker Art Center, Minneapolis, USA ; Carnegie Museum, Pittsburgh, États-Unis
2007
A House is not a Home, Caren Golden Fine Art, New York City, États-Unis
A New Reality : Black-and-White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, New Brunswick, États-Unis
Contemporary Photography and the Garden – Deceits and Fantasies, Hudson River Museum, Yonkers, New York City, États-Unis
Dream & Trauma. Works from the Dakis Joannou Collection, Athens, Kunsthalle Wien and MUMOK, Vienne, Autriche
EXISTENCIAS, Museo de Arte Contemporáneo de Castilla y León, León, Espagne
Family Pictures, Solomon R. Guggenheim Museum, New York City, États-Unis
Foto.Kunst : Contemporary Photography From the Essl Collection, Kunst Der Gegenwart, Essl Museum, Klosterneuburg, Autriche
Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, Australie
Mockumentaries, Winston Wätcher, New York City, États-Unis
Jano. La doble cara de la fotografía, Museo Nacional Centro de Arte Reina Sofía, Madrid, Espagne
Photographing Suburbia : Crewdson, Owens and Weiner, Hofstra University Museum, Hempstead, États-Unis
John Berggruen Gallery, San Francisco, États-Unis
the BIG picture, North Carolina Museum of Art, Raleigh, États-Unis
Utopian Mirage : Social Metaphors in Contemporary Photography and Film, The Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, États-Unis
Vertigo: Il Secolo Di Arte Off-Media Dal Futurismo Al Web, Museo d'Arte Moderna di Bologna, Bologne, Italie
2006
Before the Camera, Norton Museum of Art, West Palm Beach, États-Unis
Into Me/Out of Me, KW Institute for Contemporary Art, Berlin, Allemagne
Major Photography Show : A Donation by the Caisse des Dépôts, Centre Pompidou, Paris, France
Acting the Part : Photography as Theatre, National Gallery of Canada, Ottawa, Canada
Complicit! Contemporary American Art & Mass Culture, University of Virginia Art Museum, Charlottesville, États-Unis
Dark, Museum Boijmans van Beuningen, Rotterdam, Pays-Bas
Garden Paradise, The Arsenal Gallery in Central Park, Curated by Lacy Davisson Doyle and Clare Weiss, New York City, États-Unis
Into Me/Out of Me, P.S.1 Contemporary Art Center, Queens, États-Unis
I Love the Burbs, Katonah Museum of Art, Katonah, États-Unis
Fictions Abound, Ffotogallery, Cardiff, Royaume-Uni
Light in August, Geoffrey Young Gallery, Great Barrington, États-Unis
Twilight : The Magic Hour, V&A, Londres, Royaume-Uni
Photography Portfolio I & II, Paula Cooper, Carolina Nitsch & The Merce Cunningham Dace Co., Paula Cooper Gallery, New York City, États-Unis
2005
Speaking with Hands, Guggenheim Museum, Bilbao, Espagne
4. gegenwärtig : Geschichtenerzähler, Hamburg Kunsthalle, Hambourg, Allemagne
The Real Ideal : Utopian Ideals and Dystopian Realities, Graves Art Gallery, Sheffield Museums and Galleries Trust, Sheffield, Royaume-Uni
Suspended Narratives, Lora Reynolds Gallery, Austin, États-Unis
Power of Places : The Berkshires, Berkshire Museum, Pittsfield, États-Unis
Highlights New Acquisitions, John Berggruen Gallery, San Francisco, États-Unis
The World is a Stage : Stories Behind Pictures, Mori Art Museum, Tokyo, Japon
My Own Cinema, Galerie Georges-Philippe & Nathalie Vallois, Paris, France
I Never Thought What You Were Telling Me Was True or a Product of Your Imagination, Galeria Estrany De La Mota, Barcelone, Espagne
Contemporary Photography in the Age of Mechanical Reproduction, New Britain Museum of American Art, New Britain, États-Unis
2004
Embracing the Present : The USB Art Collection, Phoenix Art Museum, Phoenix, États-Unis
Ghost Stories. The Disembodied Spirit, Austin Museum of Art, Austin, États-Unis
Dreamwavers, Yancey Richardson Gallery, New York City, États-Unis
Dwelling, Tina Kim Fine Art, New York City, États-Unis
Behind Closed Doors, Collectors Celebrate The Museum's Golden Anniversary, Katonah Museum of Art, Katonah, États-Unis
Everything's Gone Green Photography and the Garden, The Museum of Photography, Film & Television, Bradfort, Royaume-Uni
Animals & Us. The Animal in Contemporary Art, The Galerie St. Etienne, New York City, États-Unis
Big Photos, Russell Bowman Art Advisory, Chicago, États-Unis
Speaking with Hands : Photographs from the Buhl Collection, Guggenheim Museum, New York City, États-Unis
Sets & Situations. A New Visions Series Exhibition, Memphis College of Art, Memphis, États-Unis
2003
Fantastic, Mass MoCA, North Adams, États-Unis
Undomesticated Interiors, Smith College Museum of Art, Northampton, États-Unis
Reality/Fiction: (Re)Constructing Representation, Jamaica Center Art & Learning, Jamaica, États-Unis
UnNaturally, USC Fisher Gallery, Los Angeles, États-Unis
Passengers, Lisboa Photo, Lisbonne, Portugal
Disembodied Spirits, Bowdoin Museum of Art, Brunswick, États-Unis
Twilight, Grimpel Fils, Londres, Royaume-Uni
Family Ties. A Contemporary Perspective, Peabody Essex Museum, Salem, États-Unis
Yard, curated by Robyn Donohue and Alyson Baker, Socrates Sculpture Park, New York City, États-Unis
Ed Ruscha. Photographs : Recent Aquisitions Paintings and Sculptures, Fisher Landau Center for Art, Long Island City, États-Unis
Imperfect Innocence, The Debra and Dennis Scholl Collection, PBICA (Palm Beach Institute of Contemporary Art), Lake Worth, États-Unis
We Love Painting, The American Contemporary Art From Misumi Collection, Museum of Contemporary Art, Tokyo, Japon
2002
Thin Skin : The Fickle Nature of Bubbles, Spheres, nad Inflatable Structures, Independent Curators International, New York City, États-Unis
Fictions. New Narratives in Contemporary Photography and Video, The Rose Art Museum, Brandeis University, Waltham, États-Unis
Vision From America: Photographs From the Whitney Museum of American Art, 1940-2001, The Whitney Museum of American Art, New York City, États-Unis
Looking at America, Yale University Gallery, New Haven, États-Unis
Moving Pictures, Solomon R. Guggenheim Museum, New York City, États-Unis
Art Downtown, Wall Street Rising, New York City, États-Unis
Some Options in Realism, Carpenter Center for the Visual Arts, Lobby Gallery, Harvard University, Cambridge, États-Unis
A Thousand Hounds. A Walk with the Dogs Through the History of Photography, UBS PaineWebber Art Gallery, New York City, États-Unis
Contemporary American Photography 1970-2000, From the Collection of the San Francisco Museum of Modern Art, Etats-Unis ; Samsung Museum of Modern Art, Séoul, Corée du Sud
Archivo Pons Artxiboa, Erakusketa - Exposicion, 45.zk.No.45, Koldo Mitxelena Kulturunea, San Sebastian, Espagne
Staged ! Contemporary Photography Gregory Crewdson, Rosemary Laing, Sharon Lockhart, Contemporary Art, Worcester Art Museum, Worcester, États-Unis
Situated Realities. Where Techology and Imagination Intersect, Maryland Institute College of Art, Decker and Meyerhoff Galleries, Baltimore, États-Unis
2001
The Reality Effect, Contemporary American Photography, Guilt Hall of East Hampton, East Hampton, États-Unis
Photochrome, Current Contemporary Photography from New York City Galleries, Silvermine Guild Galleries, New Canaan, États-Unis
Settings and Players, Louise Neri and Vince Aletti, White Cube Gallery, Londres, Royaume-Uni
Bright Paradise, The First Auckland Triennial, University of Auckland Art Gallery, Auckland, Nouvelle-Zélande
Settings & Players, Theatrical Ambiguity in American Photography, The City Gallery of Prague, Prague, République Tchèque
2000
Larry Clark/ Gregory Crewdson, Eleni Koroneou Gallery, Athènes, Grèce
Fifty One Fine Art Photography Gallery, Anvers, Belgique
Gregory Crewdson, Vik Muniz, Hiroshi Sugimoto, Spark Inc., Tokyo, Japon
The Swamp: On the Edge of Eden, Samuel P. Harn Museum, Gainsville, États-Unis
Alfred Hitchcock, Musée des Beaux Arts de Montréal, Montréal, Canada
Chorus of Light : Photographs from the Sir Elton John Collection, High Museum of Art, Atlanta, États-Unis
Photography Now, curated by S. Rubin, Contemporary Arts Center, New Orleans, États-Unis
Threshold : Invoking the Domestic in Contemporary Art, Contemporary Art Center of Virginia, Virginia Beach, États-Unis
Collector's Choice, curated by Ann Tenenbaum at Exit Art, New York City, États-Unis
Post-Historical Narrative in Contemporary Photography, Rose Art Museum, Brandeis University, Waltham, États-Unis
The Swamp : On the Edge of Eden, Harn Museum of Art, University of Florida, Gainesville, États-Unis
Art at MoMA since 1980, MoMa, New York City, États-Unis
Open Ends : Sets and Situations, MoMa, New York City, États-Unis
A Beastie Boys Exhibition, Gavin Brown's Enterprise, New York City, États-Unis
Before They Became Who They Are, Kravets / Wehby Gallery, New York City, Etats-Unis
1999
Affinities with Architecture, Belk Gallery, Western Carolina University, Cullowhee, États-Unis ; Carroll Reece Museum, East Tennessee State University, Johnson City, États-Unis ; Anderson Gallery School of the Arts, Virginia Commonwealth University, Richmond, États-Unis
Under/Exposed, Varldens Storsta Fotoutstallning, Stockholms Tunnelbana, Stockholm, Suède
Nature is not Romantic, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York City, États-Unis
As Far as the Eye Can See, Atlanta College of Art Gallery, Atlanta, États-Unis
Full Exposure: Contemporary Photography, New Jersey Center for Visual Arts, Summit, États-Unis
Threshold: Invoking the Domestic in Contemporary Art, John Michael Kohler Arts Center, Sheboygan, États-Unis
Summer SurReality, Judy Ann Goldman Fine Art, Boston, États-Unis
Making It Real (1997 - 1999), curated by Vik Muniz, The Aldrich Museum of Contemporary Art, Ridgefield, États-Unis; Reykjavik Municipal Art Museum, Reykjavik, Iceland ; Portland Museum of Art, Portland, États-Unis ; Bayly Art Museum, University of Virginia, Charlottesville, États-Unis; Bakalar Gallery, Massachusetts College of Art, Boston, États-Unis ; Emerson Gallery, Hamilton College, Clinton, États-Unis
Botanica, Contemporary Art and the World of Plants, Tweed Museum of Art, University of Minnesota, Duluth, États-Unis ; Plains Art Museum, Fargo, États-Unis ; University Galleries, Illinois State University, Normal, États-Unis ; Carleton College Art Gallery, Northfield, États-Unis ; Alexandria Museum of Art, Alexandria, États-Unis ; Tarble Arts Center, Eastern Illinois University, Charleston, États-Unis ; Chicago Cultural Center, Chicago, États-Unis ; University Gallery, University of Delaware, Newark, États-Unis
WILDflowers, Katonah Museum of Art, Katonah, États-Unis
Shot : Una Visione Americana, curated by Christiana Perrella, Valentina Moncada Gallery, Rome, Italie
Animal Artifice, The Hudson River Museum, Yonkers, Etats-Unis
1998
Mysterious Voyages, Contemporary Museum, Baltimore, États-Unis
The Sound of One Hand : The Collection of Collier Schorr, Apex, New York City, États-Unis
Pollution, Claudia Gian Ferrari Arte Contemporanea, Milan, Italie
Telling Tales, The Art Gallery of New South Wales, Sydney, Australie
Exterminating Angel, curated by Joshua Decter, Galerie Ghislaine Hussenot, Paris, France
Pop Surrealism, organized by Harry Philbrick, Aldrich Museum, Ridgefield, États-Unis
Where : Allegories of Site in Contemporary Art, The Whitney Museum of American Art, New York City, États-Unis
Spectacular Optical, Thread Waxing Space, New York City, États-Unis
The New Surrealism, Pamela Auchincloss Project Space, New York City, États-Unis
Veronica's Revenge, Stedelijk Museum, Sittard, Pays-Bas
1997
Gothic, ICA, Boston, USA
American Art Today : The Garden, The Art Museum at Florida International University, Miami, États-Unis
Nature Studies, Johnson County Community College, Santa Barbara, États-Unis
The Set Up, Barbara Farber Galerie, Amsterdam, Pays-Bas
'97 Kwangju Biennale, Gwangju, Corée du Sud
Surrealism, Wexner Center for the Visual Arts , Columbus, États-Unis
Pictures This : Photographs from former and current faculty and staff of the Cooper Union School of Art, Cooper Union Foudation Building, New York City, États-Unis
Des fleurs en mai, Oeuvres de la collection du Frac des Pays de la Loire, Maison Billaud, Fontenay-le-Comte, France
To Be Real, Yerba Buena Center for the Arts, San Francisco, États-Unis
A Thin Line, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, Etats-Unis
1996
Everything that's interesting is new, The Dakis Joannou Collection, Organized by the DESTE Foundation, Athens School of Fine Arts, Athènes, Grèce
Show and Tell, Lauren Wittels Gallery, New York City, États-Unis
Prospect 96, Frankfurter Kunstverein, Francfort, Allemagne
Nature/Culture and the Postmodern Sublime, Bard Center for Curatorial Studies, Annandale-on-Hudson, États-Unis
Carl Von..., Boras Kunstmuseum, Boras, Suède
Perfect World, University Buffalo Art Gallery, Buffalo, États-Unis
Exposure, Luhring Augustine Gallery, New York City, Etats-Unis
1995
The Set-Up, Baumgartner Galleries, Washington, États-Unis
Blind Spot, The MAC, Dallas Artists Research and Exhibition, Dallas, États-Unis
Yamantaka Donation: An Exhibition of Photographs to Benefit Tibet House, curated by Diego Cortez, Robert Miller Gallery, New York City, États-Unis
Hetrick-Martin Institute Benefit, Paul Morris Gallery, New York City, États-Unis
Brave New World, Christopher Grimes Gallery, Santa Monica, États-Unis
Nature Studies: Gregory Crewdson, Adam Fuss, Hiroshi Sugimoto, Johnson County Community College, Overland Park, États-Unis
La Belle et La Bete, Musée d'Art Moderne de la Ville de Paris, Paris, France
The Friendly Village, Milwaukee Institute of Art and Design, Milwaukee, États-Unis
Confronting Nature, Silences Voices, California State University, Fullerton, États-Unis
On the Face of it, Fotofeis exhibition, City Art Centre, Edimbourg, Royaume-Uni
Fake Nature, City Gallery at Chastain, Atlanta, États-Unis
Nature Studies, Amherst Fine Arts Center, Amherst, États-Unis
Faculty Work on Paper, Yale School of Art, New Haven, États-Unis
Photography at Berkeley Square, The City Bank Private Bank Collection, Londres, Royaume-Uni
1994
Luhring Augustine Gallery, New York City, États-Unis
Animal Farm, Corcoran Gallery, Santa Monica, États-Unis
Psycho-pathology of Everyday Life, Ruth Bloom Gallery, Santa Monica, États-Unis
Nature Studies, Schmidt Contemporary Art, Saint Louis, États-Unis
A Garden, Barbara Krakow Gallery, Boston, États-Unis
New Work, New Directions 2, Los Angeles County Museum of Art, Los Angeles, États-Unis
Recent Photography Acquisitions: Selections from the Permanent Collection, Whitney Museum of American Art, New York City, États-Unis
Home Sweet Home and Other Fables, St. Louis Art Museum, Saint Louis, États-Unis
Close Encounters, Ikon Gallery, Birmingham, Royaume-Uni
Visual Arts Gallery, SUNY Purchase, Purchase, Etats-Unis
1993
Feigen Gallery, Chicago, États-Unis
Elizabeth Koury, New York City, États-Unis
Daydream Nation, Luhring Augustine Gallery, New York City, États-Unis
Dirty Birds, Wooster Gardens, New York City, États-Unis
All the World's a Stage, Marsha Fogel Gallery, East Hampton, États-Unis
Geoffrey Young Gallery, Great Barrington, États-Unis
The Bestiary, Blum Helman Gallery, New York City, États-Unis
Picturing Ritual, The Center for Photography, Woodstock, États-Unis ; Neuberger Museum, SUNY Purchase, Purchase, États-Unis
Wit on Rye: Humor in Photography, Islip Art Museum, East Islip, Etats-Unis
1992
Our Town, Burden Galley, New York City, États-Unis
Set and Setting, Berland Hall Gallery, New York City, États-Unis
Shoshana Wayne Gallery, Los Angeles, États-Unis
Perverse Nature, Mincher Wilcox Gallery, San Francisco, États-Unis
White Columns, New York City, États-Unis
Blum Helman Gallery, New York City, États-Unis
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